The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 34
... role of healing , in a way that seems particularly characteristic of Eliot , Cleves shows us how the protagonist's dig- nity may be best recovered , while offering direct aid to his fellow creature . Thus , compassion closes over death ...
... role of healing , in a way that seems particularly characteristic of Eliot , Cleves shows us how the protagonist's dig- nity may be best recovered , while offering direct aid to his fellow creature . Thus , compassion closes over death ...
Page 50
... role Irwine plays in relation to the sorrows of others rather than his own agon per se . Some critics would question the prominence of his role in this part of the novel , saying that he only becomes morally creditable once the ...
... role Irwine plays in relation to the sorrows of others rather than his own agon per se . Some critics would question the prominence of his role in this part of the novel , saying that he only becomes morally creditable once the ...
Page 128
... role of a classical heroine - Dorothea passes through the Roman night- mare of " ruins and basilicas [ and ] . . . the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings ; the long vistas of white forms whose ...
... role of a classical heroine - Dorothea passes through the Roman night- mare of " ruins and basilicas [ and ] . . . the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings ; the long vistas of white forms whose ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes