The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 81
... light enough to trusten by ; and now she says she'll never leave me , I think I shall trusten till I die . " ( ch . 20 , 241 ) Surely Dolly's " Them " must acknowledge the deeds of heroism “ which have no great name on earth , ” because ...
... light enough to trusten by ; and now she says she'll never leave me , I think I shall trusten till I die . " ( ch . 20 , 241 ) Surely Dolly's " Them " must acknowledge the deeds of heroism “ which have no great name on earth , ” because ...
Page 128
... light of “ her story . " Judging from Eliot's composition process , as described by Jerome Beaty ( Hardy , Approaches , 41-42 ) , we can see that the author had the goal of creating a narrative center in Dorothea quite early . While all ...
... light of “ her story . " Judging from Eliot's composition process , as described by Jerome Beaty ( Hardy , Approaches , 41-42 ) , we can see that the author had the goal of creating a narrative center in Dorothea quite early . While all ...
Page 130
... light tinsel and daylight rubbish if our spirits were not touched by what has been , to issues of longing and ... lights for us : we begin to see things again in their larger , quieter masses , and to believe that we too can be seen and ...
... light tinsel and daylight rubbish if our spirits were not touched by what has been , to issues of longing and ... lights for us : we begin to see things again in their larger , quieter masses , and to believe that we too can be seen and ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes