The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 93
... final pages , for indeed here she is presented as an artist , a portrait maker belonging to the school of Naturalist Idealism , like Piero and Eliot . Alison Booth , in writing of this final stance in her " The Silence of Great Men ...
... final pages , for indeed here she is presented as an artist , a portrait maker belonging to the school of Naturalist Idealism , like Piero and Eliot . Alison Booth , in writing of this final stance in her " The Silence of Great Men ...
Page 94
... final state becomes that of the stoic or that of Bernardo or Piero himself , does not take into account the Frate's role as a household god ( Victorian Newsletter , 13 ) . Restored again , in memory , to the sphere of pri- vate life ...
... final state becomes that of the stoic or that of Bernardo or Piero himself , does not take into account the Frate's role as a household god ( Victorian Newsletter , 13 ) . Restored again , in memory , to the sphere of pri- vate life ...
Page 158
... final one : " In Volumes I and II , Maggie and Tom are brought to a point of awareness and then left . Volume III violates this design in presenting the event ( the flood ) and the perception ( Tom's recogni- tion ) and then following ...
... final one : " In Volumes I and II , Maggie and Tom are brought to a point of awareness and then left . Volume III violates this design in presenting the event ( the flood ) and the perception ( Tom's recogni- tion ) and then following ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes