The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 29
... fiction is , however , many times more consistent than these views would suggest . The distance that we must travel from " Amos Barton " to Daniel Deronda is , primarily , one of technical and spatial complexity - an indication that ...
... fiction is , however , many times more consistent than these views would suggest . The distance that we must travel from " Amos Barton " to Daniel Deronda is , primarily , one of technical and spatial complexity - an indication that ...
Page 172
... Fiction 40 ( 1986 ) : 400-411 . Fricke , Douglas C. " Art and Artists in Daniel Deronda . " Studies in the Novel 5 ( 1973 ) : 220-28 . Frye , Northrop . Anatomy of Criticism : Four Essays . Princeton : Princeton Uni- versity Press ...
... Fiction 40 ( 1986 ) : 400-411 . Fricke , Douglas C. " Art and Artists in Daniel Deronda . " Studies in the Novel 5 ( 1973 ) : 220-28 . Frye , Northrop . Anatomy of Criticism : Four Essays . Princeton : Princeton Uni- versity Press ...
Page 180
The Novels of George Eliot Henry Alley. the past in her fiction , 83–84 , 87–89 , 111 , 130 ; education in her fiction , 54-70 , 147-53 , 155 ; and her egoism , 24 , 114-15 , 118 ; epic patterns in , 29 , 62 ; and esthetics , 22 , 30-32 ...
The Novels of George Eliot Henry Alley. the past in her fiction , 83–84 , 87–89 , 111 , 130 ; education in her fiction , 54-70 , 147-53 , 155 ; and her egoism , 24 , 114-15 , 118 ; epic patterns in , 29 , 62 ; and esthetics , 22 , 30-32 ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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