The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 14
... effect of Dorothea's life was " not widely visible , " the narrator , in enlisting the reader to supply the appro- priate silent audience , concludes by saying that " the effect of her being on those around her was incalculably ...
... effect of Dorothea's life was " not widely visible , " the narrator , in enlisting the reader to supply the appro- priate silent audience , concludes by saying that " the effect of her being on those around her was incalculably ...
Page 137
... effect where the past broods diminishingly over the present , some of the present here is brooding back : “ as we find in older Herodotus , who also , in telling what had been , thought it well ... " ( 123 ) . Herodotus appears as a ...
... effect where the past broods diminishingly over the present , some of the present here is brooding back : “ as we find in older Herodotus , who also , in telling what had been , thought it well ... " ( 123 ) . Herodotus appears as a ...
Page 148
... effect of this re- jection , whether foreshadowed or at hand , is to reject the ridicule , whether from the narrator or the characters , which settles in on " the spoiled child . " Gwendolen's chastened character is before us virtually ...
... effect of this re- jection , whether foreshadowed or at hand , is to reject the ridicule , whether from the narrator or the characters , which settles in on " the spoiled child . " Gwendolen's chastened character is before us virtually ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes