The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 34
... begins by defending Barton to the tribunal - like Seven [ " Depend upon it ... there is some simple explanation of the whole affair , if we only happened to know it " ( 96 ) ] and then later offers " the painful thrill of life ...
... begins by defending Barton to the tribunal - like Seven [ " Depend upon it ... there is some simple explanation of the whole affair , if we only happened to know it " ( 96 ) ] and then later offers " the painful thrill of life ...
Page 108
... begins to leave Esther even there , because the passing of the child — back and forth be- tween them - awakens their ... begin to fade for her . Thus , in this revelation scene , Esther comes to recognize her father's legacy of anonymous ...
... begins to leave Esther even there , because the passing of the child — back and forth be- tween them - awakens their ... begin to fade for her . Thus , in this revelation scene , Esther comes to recognize her father's legacy of anonymous ...
Page 157
... begins to formulate her concept of modern heroism when criticizing the false idealization of Goethe in a " colossal statue " ( 86 ) and referring later to his being a part of " this working - day world " ( 92 ) . As Suzanne Graver ...
... begins to formulate her concept of modern heroism when criticizing the false idealization of Goethe in a " colossal statue " ( 86 ) and referring later to his being a part of " this working - day world " ( 92 ) . As Suzanne Graver ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes