Elements of Mental Philosophy, Volume 2

Front Cover
Harper & Brothers, 1847

From inside the book

Contents

Remarks on the beauty of forms The circle
44
Original or intrinsic beauty The circle
45
Of the beauty of straight and angular forms
46
Of square pyramidal and triangular forms
48
The variety of the sources of that beauty which is founded on forms illustrated from the different styles of architecture
49
Of the original or intrinsic beauty of colours
50
Further illustrations of the original beauty of colours
52
Of sounds considered as a source of beauty
54
33
55
Further instances of the original beauty of sounds Pige 38 39 40 42
58
The permanency of musical power dependant on its being intrinsic
59
Of motion as an element of beauty
60
Of the distinction between beautiful and other objects
61
Of a distinct sense or faculty of beauty
63
CHAP IIIASSOCIATED BEAUTY 40 Associated beauty implies an antecedent or intrinsic beauty
64
Objects may become beautiful by association merely
65
Further illustrations of associated feelings
66
Instances of national associations
68
The sources of associated beauty coincident with those of human happiness
69
Of fitness considered as an element of associated beauty
70
Of utility as an element of associated beauty 5885
71
EMOTIONS OF SUBLIMITY 47 Of proportion as an element of associated beauty
72
Relations of emotions of beauty to the fine arts
73
Differences of original susceptibility of this emotion
74
Objection to the doctrine of original beauty
75
Summary of views in regard to the beautiful
76
Of picturesque beauty
77
Connexion between beauty and sublimity
78
The occasions of the emotions of sublimity various
79
Great extent or expansion an occasion of sublimity 56 Great height an element or occasion of sublimity
80
Of depth in connexion with the sublime
81
Of colours in connexion with the sublime
82
Of sounds as furnishing an occasion of sublime emotions
83
Of motion in connexion with the sublime 78 79
84
Considerations in proof of the original sublimity of objects
88
Influence of association on emotions of sublimity
89
Further illustrations of sublimity from association
90
NATURE OF INTELLECTUAL TASTE 69 Definition of taste and some of its characteristics
91
Distinguishable from mere quickness of feeling or sensibility
93
Of the process involved in the formation of taste
93
Instantaneousness of the decisions of taste
94
Of the permanency of beauty
95
EMOTIONS OF THE LUDICROUS 74 General nature of emotions of the ludicrous 75 Occasions of emotions of the ludicrous
97
Of Hobbess account of the ludicrous 77 Of what is to be understood by wit 78 Of wit as it consists in burlesque or in debasing objects
99
Of wit when employed in aggrandizing objects 80 Of other methods of exciting emotions of the ludicrous
101
Of the character and occasions of humour
102
Of the practical utility of feelings of the ludicrous
103
Indications of power accompanied by einotions of the sublime 62 Of moral worth in connexion with sublimity 63 Sublime objects have some elemen...
104
85
105
86
106
87
107
88
108
Section PART FIRST NATURAL OR PATHEMATIC SENSIBILITIES NATURAL OR PATHEMATIC SENTIMENTS CLASS SECOND THE DESI...
109
89
111
91
112
Of an exception to the foregoing statement
113
The desires characterized by comparative fixedness and perma nency
114
Desires always imply an object desired
115
ម ន ឆវី Pagn 88899 97
117
101
120
102
122
104
125
105
126
106
127
108
128
Pago 111
131
112
132
114
133
115
134
The fulfilment of desires attended with enjoyment 116 96 Of variations or degrees in the strength of the desires
136
Tendency to excite movement an attribute of desire 98 Classification of this part of the sensibilities 99 The principles based upon desire susceptible of...
137
118
138
tion
139
119
140
120
141
122
145
123
146
126
148
Of the moral character of the desire of power
150
Of the comparative rank of the affections
151
Of the complex nature of the affections
152
Of resentment or anger
153
Illustrations of instinctive resentment
154
Uses and moral character of instinctive resentment
155
Reference to the opinions of philosophical writers
156
Tendency of anger to excess and the natural checks to
157
Other reasons for checking and subduing the angry passions
158
Modifications of resentment Peevishness
159
Modifications of resentment Envy
160
Modifications of resentment Jealousy
161
The existence of the principle shown from the conduct of chil
162
Illustrations of the malevolent passions
163
Of the nature of the fraternal affection
172
Page
174
Of the utility of the domestic affections 174 Of the moral character of the domestic affections and of the be nevolent affections generally
183
Of patriotism or love of country
184
162
185
Of the affection of pity or sympathy
186
Of the moral character of pity
187
Of the affection of gratitude
188
189
189
Man created originally with the principle of love to
220
That man was originally created with a principle of love to God
221
Further proofs that man was thus created 192 Relation of the principle of supreme love to God to the other prin ciples of the pathematic sensibilities 2...
223
Illustration of the results of the principle of love to God from the character and life of the Saviour
225
The absence of this principle attended with an excessive and sin
226
Further illustrations of the results of the absence of this principle
228
Views of President Edwards on the subject of human depravity
230
Of the close connexion between conscience and reasoning
231
HABITS OF THE SENSIBILITIES Section Page 197 General remarks on the nature of habit
232
Of habits in connexion with the appetites
233
Of habits in connexion with the propensities
234
Of habits in connexion with the affections
235
Of guilt when a person acts conscientiously
236
Of the origin of secondary active principles
237
Objection to these views in respect to habit
238
Explanation of the abovementioned cases
240
Further illustrations of the foregoing instances
241
The objection to the extent of the law of habit further considered
242
The objection noticed in connexion with the malevolent affections
243
PART SECOND THE MORAL SENSIBILITIES OR CONSCIENCE MORAL OR CONSCIENTIOUS SENTIMENTS CLASS FIRST EMOTIONS OF ...
245
PROOFS OF A MORAL NATURE Section Page 207 Reference to the general division
247
Proof of a moral nature from consciousness 2481
248
Proofs of a moral nature from the manner of our intercourse with our fellowmen
250
Proofs of a moral nature from the terms used in different languages
251
Proofs from the operation of the passions of anger and gratitude
252
Proofs of a moral nature from feelings of remorse
253
Evidence of a moral nature from the ideas of merit and demerit 254 215 The existence of a moral nature involved in systems of moral phi reward an...
254
Proofs from the uniformity of law
255
Evidences of a moral nature even among Savage nations
258
Further remarks on the morality of Savage tribes
259
The existence of civil or political society implies a moral nature
260
are recognised in historical works
261
Evidence of a moral nature from Scripture
262
Concluding remarks on the general fact of a moral nature
263
Nature of the moral emotions of approval and disapproval
265
Of the place or position mentally considered of the emotions of approval and disapproval
266
Changes in the moral emotions take place in accordance with changes in the antecedent perceptions
267
Of objects of moral approval and disapproval
268
Of the original ground or basis of moral approbation and disappro bation
269
Emotions of moral approval are called forth in connexion with the existence of right or rectitude in the things approved of
271
Page
272
Illustrations of the statements of the preceding section from the case of the Apostle Paul
279
NATURE OF MORAL BEAUTY
280
Of the origin and import of the phrase moral deformity
281
Of the correspondence between the degrees of moral beauty and the quickness or liveliness of the moral sensibilities
282
Of the perception of moral beauty considered as a source of hap piness
283
Of the moral beauty of the character of the Supreme Being
284
NATURE OF MORAL SUBLIMITY 243 Remarks in explanation of the moral sublime
286
rity or justice
289
Other instances of the sublimity of justice 249 Of the moral sublimity of great benevolent undertakings 250 The spirit of forgiveness in some cases su...
290
PART SECOND THE MORAL SENSIBILITIES OR CONSCIENCE MORAL OR CONSCIENTIOUS SENTIMENTS CLASS SECOND FEELINGS O...
295
EXISTENCE OF OBLIGATORY FEELINGS 251 Feelings of moral obligation distinct from feelings of moral ap proval and disapproval Page 297 2...
297
Further proof from the conduct of
298
Further proof from language and literature
299
Further proof from the necessity of these feelings
300
NATURE OF OBLIGATORY FEELINGS 256 Feelings of obligation simple and not susceptible of definition 257 They are susceptible of different de...
302
Of their authoritative and enforcing nature
303
Feelings of obligation differ from those of mere approval and dis approval
304
Feelings of obligation have particular reference to the future
305
Diversities in moral decisions dependant on differences in
311
Influence of early associations on moral judgments
319
Of the existence of a moral nature in connexion with public rob
325
Of the states of mind denominated presentiments
328
Of the origin of the ideas or abstract conceptions of right and wrong
331
Perversions of the benevolent affections
334
Shown in the fifth place from the deportment and conduct
344
Of the proofs of this doctrine from the appeals which are made
351
298
355
299
356
300
357
302
360
304
361
305
363
DISORDERED AND ALIENATED ACTION OF THE APPETITES
369
Disordered action of imitativeness or the principle of imitation
376
SYMPATHETIC IMITATION
382
Other instances of this species of imitation
388
DISORDERED ACTION OF THE MORAL SENSIBILITIES
402
Of casual associations in connexion with the propensities
409
346
414
Antipathies to animals
415
ORAL SIGNS OR SPEECH
431
CHARACTERISTICS OF LANGUAGES
446

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Page 89 - H2 acter of sublimity, become highly sublime by association. There is frequently a low, feeble sound preceding the coming of a storm which has this character. " Along the woods, along the moorish fens, Sighs the sad genius of the coming storm,
Page 82 - Methinks he seems no bigger than his head. The fishermen, that walk upon the beach, Appear like mice ; and yon tall anchoring bark Diminished to her boat; her boat a buoy, Almost too small for sight. The murmuring surge, That on the unnumbered idle pebbles chafes, Cannot be heard so high. I'll look no more, Lest my brain turn, and the deficient sight Topple down headlong.
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