The Works of Lord Morley, Volume 6Macmillan and Company, limited, 1921 |
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Page viii
... less hurtful in art than in politics 129 Its influence upon his views of duty and domestic sentiment . 130 His public career better than one side of his creed Absence of true subjective melancholy from his nature . His ethical poverty ...
... less hurtful in art than in politics 129 Its influence upon his views of duty and domestic sentiment . 130 His public career better than one side of his creed Absence of true subjective melancholy from his nature . His ethical poverty ...
Page 7
... less cordi- ality , declares that among the figures that he could recollect as visiting his Nithsdale hermitage- " all like Apparitions now , bringing with them airs from Heaven , or the blasts from the other region , there is not one ...
... less cordi- ality , declares that among the figures that he could recollect as visiting his Nithsdale hermitage- " all like Apparitions now , bringing with them airs from Heaven , or the blasts from the other region , there is not one ...
Page 12
... less willing or less able to be a polemic . I could not give account of myself if challenged . I delight in telling what I think , but if you ask me how I dare say so , or why it is so , I am the most helpless of men . " The year before ...
... less willing or less able to be a polemic . I could not give account of myself if challenged . I delight in telling what I think , but if you ask me how I dare say so , or why it is so , I am the most helpless of men . " The year before ...
Page 13
... and took charge of our thankless little Dial here , without subscribers enough to pay even a publisher , much less any labourer ; it has no penny for editor or contributor , nothing but abuse in the EMERSON 13 Contributes to the Dial (1840)
... and took charge of our thankless little Dial here , without subscribers enough to pay even a publisher , much less any labourer ; it has no penny for editor or contributor , nothing but abuse in the EMERSON 13 Contributes to the Dial (1840)
Page 18
... less so in the writer . 66 Apart from his difficult staccato , Emerson is not free from secondary faults . He uses words that are not only odd , but vicious in construction ; he is not always grammatically correct ; he is sometimes ...
... less so in the writer . 66 Apart from his difficult staccato , Emerson is not free from secondary faults . He uses words that are not only odd , but vicious in construction ; he is not always grammatically correct ; he is sometimes ...
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Popular passages
Page 221 - Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
Page 109 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep Sea, and music in its roar: I love not Man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, •To mingle with the Universe, and feel What I can ne'er express, yet cannot all conceal Roll on, thou deep and dark blue Ocean— roll!
Page 304 - They wandered once; clear as the dew on flowers: But they fed not on the advancing hours: Their hearts held cravings for the buried day. Then each applied to each that fatal knife, Deep questioning, which probes to endless dole. Ah, what a dusty answer gets the soul When hot for certainties in this our life...
Page 159 - The Church-yard abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo.
Page 136 - twere, anew, the gaps of centuries; Leaving that beautiful which still was so, And making that which was not, till the place Became religion, and the heart ran o'er With silent worship of the great of old!— The dead, but sceptred sovereigns, who still rule Our spirits from their urns.— 'Twas such a night!
Page 159 - I trust is their destiny, to console the afflicted, to add sunshine to daylight by making the happy happier, to teach the young and the gracious of every age, to see, to think and feel, and therefore to become more actively and securely virtuous...
Page 88 - The light which enlightens, which has enlightened the darkness of the world ; and this not as a kindled lamp only, but rather as a natural luminary shining by the gift of Heaven ; a flowing light-fountain, as I say, of native original insight, of manhood and heroic nobleness ; — in whose radiance all souls feel that it is well with them.
Page 111 - It is not noon ; the sunbow's rays still arch The torrent with the many hues of heaven, And roll the sheeted silver's waving column O'er the crag's headlong perpendicular, And fling its lines of foaming light along, And to and fro, like the pale courser's tail, The Giant steed, to be bestrode by Death, As told in the Apocalypse.
Page 28 - The criticism and attack on institutions which we have witnessed has made one thing plain, that society gains nothing whilst a man, not himself renovated, attempts to renovate things around him...
Page 229 - My function is that of the aesthetic, not the doctrinal teacher, — the rousing of the nobler emotions, which make mankind desire the social right, not the prescribing of special measures, concerning which the artistic mind, however strongly moved by social sympathy, is often not the best judge.