The works of Richard Hurd, Volume 1T. Cadell & W. Davies, 1811 |
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Page 17
... mean all those epistles , whose end is to instruct ; whether the subject be morals , politics , criticism , or , in general , human life by the LATTER , all those , whose end is to move ; whether the occasion be love , friendship ...
... mean all those epistles , whose end is to instruct ; whether the subject be morals , politics , criticism , or , in general , human life by the LATTER , all those , whose end is to move ; whether the occasion be love , friendship ...
Page 18
... mean only , in the same piece ; for the measure , in different satires , appears to have been different . That the design in him was one , I conclude , first , Because Horace expresly informs us , that the form or kind of writing in the ...
... mean only , in the same piece ; for the measure , in different satires , appears to have been different . That the design in him was one , I conclude , first , Because Horace expresly informs us , that the form or kind of writing in the ...
Page 23
... means of an exquisite sensibility of nature and ele- gance of mind ; and that the other , attempting in the most inoffensive manner , to inform the head , must demand , to the full accomplishment of its purpose , superior good sense ...
... means of an exquisite sensibility of nature and ele- gance of mind ; and that the other , attempting in the most inoffensive manner , to inform the head , must demand , to the full accomplishment of its purpose , superior good sense ...
Page 29
... epistle , containing some ge- neral rules and reflexions on poetry , but principally with an eye to the following parts : by which means it VOL . I. C Reddatur formae . Pictoribus atque poetis Quidlibet audendi semper fuit.
... epistle , containing some ge- neral rules and reflexions on poetry , but principally with an eye to the following parts : by which means it VOL . I. C Reddatur formae . Pictoribus atque poetis Quidlibet audendi semper fuit.
Page 30
... means , as might serve to promote it . Such is the general plan of the epistle . In order to enter fully into it , it will be necessary to trace the poet , attentively , through the elegant connexions of his own method . PART I. GENERAL ...
... means , as might serve to promote it . Such is the general plan of the epistle . In order to enter fully into it , it will be necessary to trace the poet , attentively , through the elegant connexions of his own method . PART I. GENERAL ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popular passages
Page 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Page 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Page 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Page 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Page 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Page 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Page 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Page 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Page 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Page 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.