The works of Richard Hurd, Volume 1T. Cadell & W. Davies, 1811 |
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Page 11
... improved , as I think it is , in some respects , and presented to you in this public way.- I was going to say , how much you benefited by this poet ( the fittest of all others , for the study of a gen- tleman ) in your acquaintance with ...
... improved , as I think it is , in some respects , and presented to you in this public way.- I was going to say , how much you benefited by this poet ( the fittest of all others , for the study of a gen- tleman ) in your acquaintance with ...
Page 38
... IMPROVEMENT OF THE ROMAN STAGE . HAVING fixed the distinct limits and provinces of the two species of the drama , the poet enters directly on his subject , and considers , I. [ from v . 99 to 119 ] the properties of the TRAGIC STYLE ...
... IMPROVEMENT OF THE ROMAN STAGE . HAVING fixed the distinct limits and provinces of the two species of the drama , the poet enters directly on his subject , and considers , I. [ from v . 99 to 119 ] the properties of the TRAGIC STYLE ...
Page 45
... improvements of numbers , stile , & c . necessarily connected with it , gives him the opportunity of going off easily into a subject of near affinity with this , viz . the Roman satiric piece ; which was indeed a species of tragedy ...
... improvements of numbers , stile , & c . necessarily connected with it , gives him the opportunity of going off easily into a subject of near affinity with this , viz . the Roman satiric piece ; which was indeed a species of tragedy ...
Page 49
... improvements of the Greek tra gedy and comedy ; which was artfully contrived to insi- nuate the defective state of the Roman drama , and to admonish his countrymen , how far they had gone , and what yet remained to complete it . And ...
... improvements of the Greek tra gedy and comedy ; which was artfully contrived to insi- nuate the defective state of the Roman drama , and to admonish his countrymen , how far they had gone , and what yet remained to complete it . And ...
Page 169
... improvement in dramatic mu- sic is , in the ideas and language of some grave men , an abuse and perversion of it to immoral purposes . It may be so but consider , for what sorts of people these theatrical entertainments were designed ...
... improvement in dramatic mu- sic is , in the ideas and language of some grave men , an abuse and perversion of it to immoral purposes . It may be so but consider , for what sorts of people these theatrical entertainments were designed ...
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Common terms and phrases
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popular passages
Page 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Page 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Page 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Page 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Page 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Page 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Page 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Page 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Page 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Page 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.