The works of Richard Hurd, Volume 1T. Cadell & W. Davies, 1811 |
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Page 16
... subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be- b Præf . in LIB . POET . et l . vi . p . 338 . cause I take this to be a principal cause of 16 INTRODUCTION .
... subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be- b Præf . in LIB . POET . et l . vi . p . 338 . cause I take this to be a principal cause of 16 INTRODUCTION .
Page 22
... beauty of EPIS- TOLARY METHOD . II . What hath hitherto been advanced respects chiefly the didactic form . It remains to say some- thing of that other species of the epistle , the ELE- GIAC ; which , as I observed , had quite another ...
... beauty of EPIS- TOLARY METHOD . II . What hath hitherto been advanced respects chiefly the didactic form . It remains to say some- thing of that other species of the epistle , the ELE- GIAC ; which , as I observed , had quite another ...
Page 31
... first is when it tempts us to push an acknowledged beauty too far . Great beau- ties are always in the confines of great faults ; and there- Deficiunt animique : professus grandia turget : Serpit humi tutus C 2 ARS POETICA . 31.
... first is when it tempts us to push an acknowledged beauty too far . Great beau- ties are always in the confines of great faults ; and there- Deficiunt animique : professus grandia turget : Serpit humi tutus C 2 ARS POETICA . 31.
Page 33
... beauty . For not the affectation of superior excellencies only , but even In vitium ducit culpae fuga , si caret arte . This is aptly illustrated by the case of a sculptor . An over - scrupulous diligence to finish single and trivial ...
... beauty . For not the affectation of superior excellencies only , but even In vitium ducit culpae fuga , si caret arte . This is aptly illustrated by the case of a sculptor . An over - scrupulous diligence to finish single and trivial ...
Page 70
... is simply to decorate the scene ; and so their beauty depends , not on the truth and correct- a See Victor . Comm , in Dem . Phaler . p . 73. Florent . 1594 . น ness of the drawing , but on the elegance 70 NOTES ON THE.
... is simply to decorate the scene ; and so their beauty depends , not on the truth and correct- a See Victor . Comm , in Dem . Phaler . p . 73. Florent . 1594 . น ness of the drawing , but on the elegance 70 NOTES ON THE.
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popular passages
Page 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Page 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Page 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Page 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Page 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Page 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Page 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Page 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Page 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Page 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.