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the torture the irrepressible cry, “It is true, what you would have me say: let me go: do not torture me again: yes, yes, I am guilty. O God! Thy stroke has reached me!”

As Romola thought of the anguish that must have followed the confession – whether, in the subsequent solitude of the prison, conscience retracted or confirmed the self-taxing words -- that anguish seemed to be pressing on her own heart and urging the slow bitter tears. Every vulgar self-ignorant person in Florence was glibly pronouncing on this man's demerits, and he was knowing a depth of sorrow which can only be known to the soul that has loved and sought the most perfect thing, and beholds itself fallen.

She had not then seen what she saw afterwards - the evidence of the Frate's mental state after he had had thus to lay his mouth in the dust. As the days went by, the reports of new unpublished examinations, eliciting no change of confessions, ceased; Savonarola was left alone in his prison and allowed pen and ink for a while, that, if he liked, he might use his poor bruised and strained right arm to write with. He wrote; but what he wrote was no vindication of his innocence, -no protest against the proceedings used towards him; it was a continued colloquy with that divine purity with which he sought complete reunion; it was the outpouring of self-abasement; it was one long cry for inward renovation. No lingering echoes of the old vehement self-assertion, “Look at my work, for it is good, and those who set their faces against it are the children of the devil!” The voice of Sadness tells him, “God placed thee in the midst of the people even as if thou hadst been one of the excellent. In this way thou hast taught others, and hast failed to learn thyself. Thou hast cured others: and thou thyself hast been still diseased. Thy heart was lifted up at the beauty of thy own deeds, and through this thou hast lost thy wisdom and art become, and shalt be to all eternity, nothing. .... After so many benefits with which God has honoured thee, thou art fallen into the depths of the sea; and after so many gifts bestowed on thee, thou, by thy pride and vain-glory, hast scandalized all the world." 'Ana

when Hope speaks and argues that the divine love has not forsaken him, it says nothing now of a great work to be done, but only says, “Thou art not forsaken, else why is thy heart bowed in penitence? That too is a gift."

There is no jot of worthy evidence that from the time of his imprisonment to the supreme moment, Savonarola thought or spoke of himself as a martyr. The idea of martyrdom had been to him a passion dividing the dream of the future with the triumph of beholding his work achieved. And, now, in place of both, had come a resignation which be called by no glorifying name.

But therefore he may the more fitly be called a martyr by his fellow men to all time. For power rose against him not because of his sins, but because of his greatness

not because he sought to deceive the world, but because he sought to make it noble. And through that greatness of his he endured a double agony: not only the reviling, and the torture, and the death-throe, but the agony of sinking from the vision of glorious achievement into that deep shadow where he could only say, “I count as nothing: darkness encompasses me: get the light I saw was the true light.”

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CHAPTER XXXI.

The Last Silence.

Romola had seemed to hear, as if they had been a cry, the words repeated to her by many lips — the words uttered by Savonarola when he took leave of those brethren of San Marco who had come to witness his signature of the confession:“Pray for me, for God has withdrawn from me the spirit of prophecy.”

Those words had shaken her with new doubts as to the mode in which he looked back at the past in moments of complete self-possession. And the doubts were strengthened by more piteous things still, which soon reached her ears.

The nineteenth of May had come, and by that day's sunshine there bad entered into Florence the two Papal Commissaries, charged with the completion of Savonarola's trial. They entered amid the acclamations of the people, calling for the death of the Frate. For now the popular cry was, “It is the Frate's deception that has brought on all our misfortunes; let him be burned, and all things right will be done, and our evils will cease.”

The next day it is well certified that there was fresh and fresh torture of the shattered sensitive frame; and now, at the first threat and first sight of the horrible implements, Savonarola, in convulsed agitation, fell on his knees, and in brief, passionate words, retracted his confession, declared that he had spoken falsely in denying his prophetic gift, and that if he suffered, he would suffer for the truth – “The things that I have spoken, I had them from God."

But not the less the torture was laid upon him, and when he was under it he was asked why he had uttered those retracting words. Men were not demons in those days, and yet nothing but confessions of guilt were held a reason for release from torture. The answer came: “I said it that I might seem good; tear me no more, I will tell you

the truth."

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There were Florentine assessors at this new trial, and those words of twofold retractation had soon spread. They filled Romola with dismayed uncertainty.

"But” it flashed across her "there will come a moment when he may speak. When there is no dread hanging over him but the dread of falsehood, when they have brought him into the presence of death, when he is lifted above the people, and looks on them for the last time, they cannot hinder him from speaking a last decisive word. I will be there.”

Three days after, on the 23rd of May, 1498, there was again a long narrow platform stretching across the great piazza, from the Palazzo Vecchio towards the Tetta de'Pisani. But there was no grove of fuel as before: instead of that, there was one great heap of fuel placed on the circular area which made the termination of the long narrow platform. And above this heap of fuel rose a gibbet with three halters on it; a gibbet which, having two arms, still looked so much like a cross as to make some beholders uncomfortable, though one arm had been truncated to avoid the resemblance.

On the marble terrace of the Palazzo were three tribunals; one near the door for the Bishop, who was to perform the ceremony of degradation of Fra Girolamo and the two brethren who were to suffer as his followers and accomplices; another for the Papal Commissaries, who were to pronounce them heretics and schismatics, and deliver them over to the secular arm; and a third, close to Marzocco, at the corner of the terrace where the platform began, for the Gonfaloniere, and the Eight who were to pronounce the sentence of death.

Again the piazza was thronged with expectant faces: again there was to be a great fire kindled. In the majority of the crowd that pressed around the gibbet the expectation was that of ferocious hatred, or of mere hard curiosity to behold a barbarous sight. But there were still many spectators on the wide pavement, on the roofs, and at the windows, who, in the midst of their bitter grief and their own endurance of insult as hypocritical Piagnoni, were not without a lingering hope, even at this eleventh hour, that God would interpose, by some sign, to manifest their beloved prophet as His servant. And there were yet more who looked forward with trembling eagerness, as Romola did, to that final moment when Savonarola might say, “O people, I was innocent of deceit.”

Romola was at a window on the north side of the piazza, far away from the marble terrace where the tribunals stood; and near her, also looking on in painful doubt concerning the man who had won his early reverence, was a young Florentine of two-and-twenty, named Jacopo Nardi, afterwards to deserve honour as one of the very few who, feeling Fra Girolamo's eminence, have written about him with the simple desire to be veracious. He had said to Romola, with respectful gentleness, when he saw the struggle in her between her shuddering horror of the scene and her yearning to witness what might happen in the last moment,

“Madonna, there is no need for you to look at these cruel things. I will tell you when he comes out of the Palazzo. Trust to me; I know what you would see.”

Romola covered her face, but the hootings that seemed to make the hideous scene still visible could not be shut out. At last her arm was touched, and she heard the words, "He comes.” She looked towards the Palace, and could see Savonarola led out in his Dominican garb; could see him standing before the Bishop, and being stripped of the black mantle, the white scapulary and long white tunic, till he stood in a close woollen under-tunic, that told of no sacred office, no rank. He had been degraded, and cut off from the Church Militant.

The baser part of the multitude delight in degradations, apart from any hatred; it is the satire they best understand. There was a fresh hoot of triumph as the three degraded Brethren passed on to the tribunal of the Papal Commissaries, who were to pronounce them schismatics and heretics. Did not the prophet look like a schismatic and heretic now? It is easy to believe in the damnable state of a man who stands stripped and degraded.

Then the third tribunal was passed – that of the Floren

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