The why of Music: Dialogues in an Unexplored Region of Appreciation

actual Adagio anyhow appropriate arpeggio attitude Bach Bach's Beethoven begin certainly chord classicism communication composer concern contribution course definition delight discriminate dodecaphony emotion Example extramusical fact feel flat minor fugue harmony hear heard hypothesis idea idiom image of experience imagine implied increment inference interest isorhythm kind Kyrie least listener look meaning melody Menuetto merely mind minor Mmmm motive movement Mozart musical image nonmusical experience notes notion object pattern performance perhaps phrase piano piece play poem portray portrayal Prelude pretty purely musical question reference rhythm rhythmic rience romantic romantic music romanticism romanticist second theme seems seen sense sonata sonata form song sort sound structure style subdominant substance suggest suppose sure talk tang taste buds there's thing thought tion tonal tension tone trying twelve-tone twelve-tone system twelve-tone technique verbal image vivid Well-tempered Clavier whole words