With haggard eyes and streaming hair, Jutta the Sorceress was there, And there passed Wulfstane lately slain, All crushed and foul with bloody stain. More had I seen, but that uprose A whirlwind wild and swept the snows; And with such sound as when at need A champion spurs his horse to speed, 180 Three armed knights rush on who lead Caparisoned a sable steed. Sable their harness, and there came Through their closed visors sparks of flame. The first proclaimed, in sounds of fear, "Harold the Dauntless, welcome here!" 220 A wanderer upon earth to pine Until his son shall turn to grace And smooth for him a resting-place.Gunnar, he must not haunt in vain This world of wretchedness and pain: I'll tame my wilful heart to live In peace - to pity and forgiveAnd thou, for so the Vision said, Must in thy Lord's repentance aid. Thy mother was a prophetess, He said, who by her skill could guess How close the fatal textures join Which knit thy thread of life with mine; Then dark he hinted of disguise She framed to cheat too curious eyes That not a moment might divide Thy fated footsteps from my side. Methought while thus my sire did teach I caught the meaning of his speech, Yet seems its purport doubtful now.' His hand then sought his thoughtful brow 230 Then first he marked, that in the tower His glove was left at waking hour. 250 What sees Count Harold in that bower So flowed his hoary beard; 260 But when his voice he reared, Deep without harshness, slow and strong, The powerful accents rolled along, And while he spoke his hand was laid On captive Gunnar's shrinking head. He placed her on a bank of moss, His stubborn sinews fly, The while with timid hand the dew From the time when Scott wrote the first of his long poems, The Lay of the Last Minstrel, till he deliberately abandoned the writing of long poems in Harold the Dauntless, twelve years later, he wrote about twoscore poems, and in the twelve years which then followed till he ceased writing altogether, only a dozen more, and a large number of these were occasional. This does not take account, however, of the bits of verse interspersed in the novels, some of which were among his most characteristic pieces. In 1806, after publishing The Lay of the Last Minstrel and before publishing Marmion, Scott issued a collection of Balads and Lyrical Pieces, containing most of the matter included in our division, Early Rallads and Lyrics; but not again was any collection made till his distribution of all his writings toward the end of his life. It has seemed best, in our arrangement, not to interrupt the series of long poems by inserting these scattered verses between them, but to group them all in this general division, in as closely chronologi cal order as seemed practicable THE DYING BARD 'The Welsh tradition,' says Scott, 'bears that a Bard, on his death-bed, demanded his harp, and played the air [Daffwdz Gangwen] to which these verses are adapted, requesting that it might be performed at his funeral.' Published in 1806. DINAS EMLINN, lament; for the moment is nigh, When mute in the woodlands thine echoes shall die: No more by sweet Teivi Cadwallon shall rave, And mix his wild notes with the wild dashing wave. In spring and in autumn thy glories of shade Unhonored shall flourish, unhonored shall fade; For soon shall be lifeless the eye and the tongue That viewed them with rapture, with rapture that sung. Thy sons, Dinas Emlinn, may march in their pride, And chase the proud Saxon from Prestatyn's side; But where is the harp shall give life to their name? And where is the bard shall give heroes their fame ? Unconquered thy warriors and matchless thy maids! And thou whose faint warblings my weakness can tell, Farewell, my loved harp! my last treasure, farewell! THE NORMAN HORSE-SHOE The Welsh, inhabiting a mountainous country, and possessing only an inferior breed of horses, were usually unable to encounter the shock of the Anglo-Norman cavalry. Occasionally, however, they were successful in repelling the invaders; and the following verses are supposed to celebrate a defeat of Clare, Earl of Striguil and Pembroke, and of Neville, Baron of Chepstow, Lords-Marchers of Mon mouthshire. Published in 1806. RED glows the forge in Striguil's bounds, Barb many a steed for battle's broil. From Chepstow's towers ere dawn of morn In crimson light on Rymny's stream; THE PALMER Published, 1806, in Haydn's Collection of Scottish Airs. 'O OPEN the door, some pity to show, 'No outlaw seeks your castle gate, 'A weary Palmer, worn and weak, 'I'll give you pardons from the Pope, 'The hare is crouching in her form, No shelter can I find. 'You hear the Ettrick's sullen roar, Dark, deep, and strong is he, And I must ford the Ettrick o'er, Unless you pity me. 'The iron gate is bolted hard, At which I knock in vain; The owner's heart is closer barred, Who hears me thus complain. 'Farewell, farewell! and Mary grant The ranger on his couch lay warm, And heard him plead in vain; But oft amid December's storm He'll hear that voice again: For lo! when through the vapors dank |