MacMillan's Magazine, Volume 56Sir George Grove, David Masson, John Morley, Mowbray Morris 1887 |
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Page 22
... critics notoriously wanting in sensibility , and against one's self . In truth , the painter whom Carl most unaffectedly enjoyed , the real vigour of his youthful and somewhat animal taste finding here its proper sustenance , was Rubens ...
... critics notoriously wanting in sensibility , and against one's self . In truth , the painter whom Carl most unaffectedly enjoyed , the real vigour of his youthful and somewhat animal taste finding here its proper sustenance , was Rubens ...
Page 28
... criticism , by imagination . Then the imprisoned souls of Nature would speak , as of old . The Middle Age , in Ger- many , where the past has had such generous reprisals , never far from us , would re - assert its mystic spell for the ...
... criticism , by imagination . Then the imprisoned souls of Nature would speak , as of old . The Middle Age , in Ger- many , where the past has had such generous reprisals , never far from us , would re - assert its mystic spell for the ...
Page 57
... criticism of life ; that is , as pictures of their age , or as works of art and of wisdom . The Though evidently written by one who was well at home in London , and especially at the London theatres , these plays take us into an old ...
... criticism of life ; that is , as pictures of their age , or as works of art and of wisdom . The Though evidently written by one who was well at home in London , and especially at the London theatres , these plays take us into an old ...
Page 63
... critic , and pretends to revise the other's compositions . To ask for bread and to receive criti- cism that is surely beyond any author's endurance . And other diffi- culties arise . So in no long time patron and client quarrel ...
... critic , and pretends to revise the other's compositions . To ask for bread and to receive criti- cism that is surely beyond any author's endurance . And other diffi- culties arise . So in no long time patron and client quarrel ...
Page 88
... Critics of three nations have found three special points of interest in their study of the poet . Italians recognise Leopardi as an artist , perhaps the most perfect artist of this century . They find in his consummate mastery over ...
... Critics of three nations have found three special points of interest in their study of the poet . Italians recognise Leopardi as an artist , perhaps the most perfect artist of this century . They find in his consummate mastery over ...
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admirable answered asked Augustus beautiful Berkeley Berkeley's better Briançon Cæsar called Celia century character Chard church Coleridge Conrad Celtes cried criticism dark dead death Diana Doctor Johnson Dom Juan doubt English Eugenius eyes face fancy feel felt Ferrar French Giacomo Greek Gwendoline hand head heard heart Heine human humour imagination Jeffrey Julius Cæsar King Lady Brenda laugh Le Misanthrope Leopardi light literature Little Gidding living London looked madam MARION CRAWFORD Mauleverer Max Müller means ment Milner mind Molière Montrose mountain myth nature never Nicholas Ferrar night Noll once Oxford passed passion perhaps person philosopher Pinkney play poem poet poetry Professor Recanati religion rocks romantic Rossiter Salonica seemed side silkworms smile soul story strange tell things thought tion turned whole wife woman words Wordsworth writing young
Popular passages
Page 432 - Alack, alack, is it not like that I So early waking, what with loathsome smells And shrieks like mandrakes...
Page 352 - O attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral!
Page 87 - My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all?
Page 420 - And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars. But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags...
Page 185 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Page 352 - Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal — yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
Page 83 - Tis of a little child Upon a lonesome wild, Not far from home, but she hath lost her way: And now moans low in bitter grief and fear, And now screams loud, and hopes to make her mother hear.
Page 81 - O Lady! we receive but what we give And in our life alone does Nature live: Ours is her wedding garment, ours her shroud! And would we aught behold of higher worth, Than that inanimate cold world allowed To the poor loveless ever-anxious crowd, Ah! from the soul itself must issue forth A light, a glory, a fair luminous cloud Enveloping the Earth...
Page 82 - Joy is the sweet voice, Joy the luminous cloud We in ourselves rejoice! And thence flows all that charms or ear or sight, All melodies the echoes of that voice, All colours a suffusion from that light.
Page 85 - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.