Saint, of Newcastle-upon-Tyne. We will here give a very brief resumé of Bewick's earliest works (published by Saint), with a few woodcuts from the original blocks, thus illustrating the progressive stages of pictorial fine art by which Thomas Bewick succeeded in producing the wood-engravings which embellish the present volume, of which (edit. 1784) Jackson, in his work on wood-engraving (1861, p. 480), says:

"He (Bewick) evidently improved as his talents were exercised; for the cuts in the "Select Fables," 1784, are generally much superior to those in "Gay's Fables," 1779. The animals are better drawn and engraved; the sketches of landscape in the backgrounds are more natural; and the engraving of the foliage of the trees and bushes is not unfrequently scarce inferior to that of his later productions."

Jackson gives three examples of these Fable cuts in his work, at pp. 480, 503 ("Wood-Engravings," 1861). Thomas Bewick was apprenticed to R. Beilby, October 1, 1767. It is probable that the cuts given in next page are among the very first engraved by Thomas Bewick during his apprenticeship, and were used in "A New Invented Horn Book," also in "Battledores," "Primers," and "Reading Easies." He then executed the diagrams for Hutton on Mensuration, 4to, 1770. One of the cuts is given in "Jackson" (p. 475), a representation of St Nicholas' celebrated steeple. This is the first known pictorial attempt of Bewick's.

Dog

Eagle Fish

Horn Book" Cuts.

Facsimile of Bewick's cut, St Nicholas' Steeple, Newcastle, 1770.

No doubt coarse cuts were done by Bewick about this time for local Ballads, Broadsides, Garlands, and Histories.

The next recognised work I discovered myself, the "New Lottery-Book of Birds and Beasts, for Children to learn their Letters by, as soon as they can speak" (Saint, 1771, 32mo, bds. and gilt). Two of the cuts follow.

The "Child's Tutor" (Saint, 1772-73, square 24mo),

cuts, with verses, &c., by Oliver Goldsmith. The following is undoubtedly by the Poet's hand :-" The Lilliputian Magazine; or, the Young Gentleman and Lady's Golden Library, being an attempt to mend the World, to render the Society of Man more amiable, and to establish the Plainness, Simplicity, Virtue, and Wisdom of the Golden Age, so much celebrated by the Poets and Historians—

'Man in that age no rule but Reason knew,
And with a native bent did Good pursue;
Unforc'd by Punishment, unaw'd by Fear,

His Words were Simple and his Soul Sincere."

(T. Saint, circa 1772, early Bewick woodcuts, 144 pp. 24m0.) The verse and title bear the undoubted impress of his genius and style. Oliver Goldsmith wrote it for J. Newbery, of London, but, as I shall show in my larger work on this subject, there was an arrangement between them by which Saint reprinted many of his (Newbery's) little books for the North-Country trade. We then have "Moral Instructions of a Father to his Son," comprehending the whole system of Morality, &c., &c.; and "Select Fables," extracted from Dodsley, and others, adorned with emblematical cuts, 12mo, T. Saint, Newcastle, 1772 and 1775. This, then, is one of the first works of Saint's we have seen containing cuts of Fables.

Having a doubt respecting the cuts of this rare book, I took my copy to Miss Bewick (Jan. 1867), and inquired of her if they were engraved by her father. She kindly gave me the following authentic

information:-"The cuts were engraved by Thomas

Moral Instructions," 1772, and "Select Fables," 1776.

Bewick in the first year of his apprenticeship (1767-68), excepting the cut of a ship at sea, p. 167. This was engraved by David Martin, Bewick's fellow-apprentice, Bewick at this time disliking to represent water.'" This, then, sets all doubt at rest respecting the cuts in an "Esop's Fables," "Gay's Fables," &c., &c., published by Saint about this date, in which the same and similar cuts were used. The following, used in "Gay," is evidently

Bewick's first attempt at the subject for which he afterwards gained a premium.