Henry IV, Part 2After defeat at the Battle of Shrewsbury the rebels regroup. But Prince Hal’s reluctance to inherit the crown threatens to destroy the ailing Henry IV’s dream of a lasting dynasty. Shakespeare’s portrait of the prodigal son’s journey from youth to maturity embraces the full panorama of society. Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare’s theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare’s life and times; and black-and-white illustrations. Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century. |
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Page vii
... true father is incapable . The action of Part I had begun some time after the events that ended Shakespeare's earlier play , Richard II . Henry Bullingbrook has usurped the throne of King Richard , who has been murdered . But now the ...
... true father is incapable . The action of Part I had begun some time after the events that ended Shakespeare's earlier play , Richard II . Henry Bullingbrook has usurped the throne of King Richard , who has been murdered . But now the ...
Page xii
... true follower of Machiavelli , who advised that the effective prince is one who gets someone else to do his dirty work for him ? At the beginning of Part I , the king says that he must postpone his Crusade to the Holy Land because of ...
... true follower of Machiavelli , who advised that the effective prince is one who gets someone else to do his dirty work for him ? At the beginning of Part I , the king says that he must postpone his Crusade to the Holy Land because of ...
Page xvii
... true of neither the historical Sir John Falstaff , who flees the battlefield in Henry VI Part I , nor the historical Sir John Oldcastle , of whom the character of Falstaff was originally an irreverent portrait . Why did Shakespeare give ...
... true of neither the historical Sir John Falstaff , who flees the battlefield in Henry VI Part I , nor the historical Sir John Oldcastle , of whom the character of Falstaff was originally an irreverent portrait . Why did Shakespeare give ...
Page 8
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Contents
Textual Notes | 121 |
ScenebyScene Analysis | 130 |
The RSC and Beyond | 144 |
Shakespeares Career in the Theater | 192 |
A Chronology | 206 |
A Chronology | 211 |
References | 219 |
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Common terms and phrases
Act 5 Scene actors ARCHBISHOP OF YORK audience battle battle of Shrewsbury blood brother Bullcalf Bullingbrook captain character CLARENCE Coleville comedy coronation court cousin crown Davy dead death disease DOLL TEARSHEET doth Earl Eastcheap England Enter Exeunt Exit FALSTAFF SHALLOW father fear Folio give GLOUCESTER Gloucestershire grace grief Hal's Harry HASTINGS hath head heaven Henry VI history plays honour HOSTESS QUICKLY Hotspur KING HENRY king's Lancaster London look LORD BARDOLPH LORD CHIEF JUSTICE lord of Westmorland majesty Master Shallow merry Michael Pennington Mouldy Mowbray night noble Northumberland peace Percy performance Pistol plays on sense POINS pray PRINCE HENRY Prince John production Quarto rascal rebels Richard Richard II royal Rumour running scene sexual Shakespeare SHALLOW FALSTAFF Shrewsbury sick Silence Sir John Falstaff speak stage sword tavern tell theater thee thou art tragedy Warwick Westmorland wilt word