| Samuel Taylor Coleridge - Aesthetics - 1817 - 316 pages
...by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set diffused over a known and familiar...incidents and agents were to be, in part at least, supernaluAa ral ; and the excellence aimed at was to consist in the interesting of the affections by... | |
| England - 1834 - 918 pages
...practicahility of comhining both. These are the poetry of nature. The thought suggested itself,(to which of us I do not recollect,) that a series of...agents were to be, in part at least, supernatural ; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth... | |
| Samuel Taylor Coleridge - 1829 - 575 pages
...by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set diffused over a known and familiar...represent the practicability of combining both.» Further he observes on this thought, « that a series of poems might be composed of two sorts. In the... | |
| Samuel Taylor Coleridge - Literary Criticism - 1834 - 368 pages
...by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set, diffused over a known and familiar...agents were to be, in part at least, supernatural ; and the excellence aimed at, was to consist in the interesting of the affections by the dramatic... | |
| Samuel Taylor Coleridge - Criticism - 1834 - 360 pages
...by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set, diffused over a known and familiar...agents were to be, in part at least, supernatural ; and the excellence aimed at, was to consist in the interesting of the affections by the dramatic... | |
| Scotland - 1834 - 896 pages
...beautifully says — " which accident of light and shade, while moonlight or sunset diffused over a true and familiar landscape, appeared to represent the...These are the poetry of nature. The thought suggested itself,(to which of us I do not recollect,) that a series of poems might be composed of two sorts.... | |
| Edward Mammatt - Art - 1834 - 486 pages
...by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set diffused over a known and familiar...to represent the practicability of combining both." Further he observes on this thought, "that a series of poems might be composed of two soils. In the... | |
| Great Britain - 1835 - 544 pages
...by the modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar...agents were to be, in part at least, supernatural ; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth... | |
| 1835 - 494 pages
...by the modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar...agents were to be, in part at least, supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth... | |
| Clement Carlyon - Physicians - 1836 - 340 pages
...by the modifying colours of imagination. The sudden charm which accidents of light and shade, which moon-light or sun-set, diffused over a known and familiar...to represent the practicability of combining both ; and that a series of poems might be composed of two sorts. In the one, the incidents and agents were... | |
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