Stanford Literature Review, Volumes 5-6

Aesthetics affect allegory appears Baudelaire Bavarian Rococo become called canon Christian Cogito concept Confession consciousness criticism culture Dante Descartes discourse divine dream drive epics Erasmus Erasmus's essence existence experience fact feeling figure French Freud Freudian Gherardo Hegel Hugo human identification imagination immanence interpretation James Joyce Jean Laplanche Jean-Luc Nancy language Leopardi literary literature Luther Mahabharata manifest meaning memory metaphor Michel Henry modern narcissism narrative nature never nineteenth-century object original originary paradox Paris Pascal passion past Petrarch Philippe Lacoue-Labarthe philosophy poem poet poetic poetry precisely present psychoanalysis question Ramayana Ravana reader reading reality relation religion religious representation represented rhetorical Rococo Romanticism Schlegels scripture sense Sigmund Freud significant sion Song of Songs speak spiritual symbolic temporal theory things thought tion tradition transcendence translation truth unconscious University Press Victor Hugo vision words writing