The Pleasures of MemoryS. Archer, 1815 - 54 pages |
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Page 5
... ideas in the mind , and that they introduce each other with a certain degree of regularity ... Their complexion depends greatly on the different perceptions of plea- sure and pain which we receive through the medium of sense ; and in ...
... ideas in the mind , and that they introduce each other with a certain degree of regularity ... Their complexion depends greatly on the different perceptions of plea- sure and pain which we receive through the medium of sense ; and in ...
Page 6
... ideas have any relation whatever , they are attractive of each other in the mind ; and the perception of any object naturally leads to the idea of another which was connected with it either in time or place , or which can be compared or ...
... ideas have any relation whatever , they are attractive of each other in the mind ; and the perception of any object naturally leads to the idea of another which was connected with it either in time or place , or which can be compared or ...
Page 29
... ideas start ! Ev'n now he claims the amaranthine wreath , With scenes that glow , with images that breathe ! And whence these scenes , these images , declare ? Whence but from her who triumphs o'er despair ? Awake , arise ! with ...
... ideas start ! Ev'n now he claims the amaranthine wreath , With scenes that glow , with images that breathe ! And whence these scenes , these images , declare ? Whence but from her who triumphs o'er despair ? Awake , arise ! with ...
Page 52
... idea . See the RAKE'S PROGRESS , plate 8 . NOTE c , p . 30 . Turns but to start , and gaxes but to sigh ! The following stanzas are said to have been written on a blank leaf of this Poem . They present so affect- ing a reverse of the ...
... idea . See the RAKE'S PROGRESS , plate 8 . NOTE c , p . 30 . Turns but to start , and gaxes but to sigh ! The following stanzas are said to have been written on a blank leaf of this Poem . They present so affect- ing a reverse of the ...
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Common terms and phrases
adieu ambitious CHARLES renounc'd bends blest breast breathe breeze calm chain charm charm'd chas'd clime clos'd clouds colour confest confin'd controul dusky dwell Eden's wild wood Ev'n faintly imag'd fairy Fancy Fancy's fled FLORIO fluence fond gale gaz'd gaze glade Gothic gray hail Hark HARLEM's walls heart Heav'n Hence home-felt pleasure Hist Hope's hour hues hung Innocence light live Long Maximian melancholy melts mild mountain muse native NAVARRE nest nobler NOTE NOTE k ORMOND nobly sigh'd pensive widow loves PLEASURES OF MEMORY rapture resign'd Richelieu round rous'd rude Say why VESPASIAN scal'd scene seraphic shade shadowy shed sigh silent sleep smile soft sooth'd sorrows soul sphere spirit spring steals sublime tears thee tints trace triumph TULLY paus'd Twas Venice VESPASIAN lov'd VIRGIL's tomb Virtue wakes wave Westmoreland Whence wood vales pursued youth