Romance Languages Annual: RLA., Volume 3Purdue Research Foundation, 1991 - Language and languages |
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Page 172
... sense in the absent , consumed , sense ... it is an ironical , comic , desperate situation . " Cited in MCR 66. There remakrs apply to the Modern , not the Postmodern , where the tragic , no longer called upon to respond to and embody a ...
... sense in the absent , consumed , sense ... it is an ironical , comic , desperate situation . " Cited in MCR 66. There remakrs apply to the Modern , not the Postmodern , where the tragic , no longer called upon to respond to and embody a ...
Page 547
... sense , for he has been caught and reified as an object of exchange between two opposing discourses , one of which is mythic and unitary , the other representing a crass materialism . As we have seen in Don Quijote's indifference to his ...
... sense , for he has been caught and reified as an object of exchange between two opposing discourses , one of which is mythic and unitary , the other representing a crass materialism . As we have seen in Don Quijote's indifference to his ...
Page 548
... sense to the physical world . And this , of course , is the wall , the limit , of that mythical chivalric discourse , which is self - contained and self - referential ; the only option left to Don Quijote is not verbal , but physical ...
... sense to the physical world . And this , of course , is the wall , the limit , of that mythical chivalric discourse , which is self - contained and self - referential ; the only option left to Don Quijote is not verbal , but physical ...
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appears attempt becomes beginning bien c'est called century characters communication como concept critics culture d'une death della described desire discussion example existence experience expression fact father figure final forma French give hands hombre human idea important interpretation Italian Italy language letter literary literature lives meaning metafictional metaphor modo moral mort mujer narrative narrator nature negro novel obra original padre para Paris play poem poeta political position possible present principal provides question questo reader reading reality reason reference relation relationship role seems sense signs social story structure suggests texto tradition University woman women writing York