Romance Languages Annual: RLA., Volume 3Purdue Research Foundation, 1991 - Language and languages |
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Page 210
... hands . Hands , active and at rest , are mentioned more than two hundred times in the course of the novel . Gesualdo's hands make a forceful impression in the third chapter when he makes his entree into society , attending a party at ...
... hands . Hands , active and at rest , are mentioned more than two hundred times in the course of the novel . Gesualdo's hands make a forceful impression in the third chapter when he makes his entree into society , attending a party at ...
Page 211
... hands are used for manual labor but are often described by Gesualdo and the land - owners as lazy and ready to steal from their padroni . Mastro Nunzio , a proud member of the working class and critical of Gesualdo's efforts to move ...
... hands are used for manual labor but are often described by Gesualdo and the land - owners as lazy and ready to steal from their padroni . Mastro Nunzio , a proud member of the working class and critical of Gesualdo's efforts to move ...
Page 213
... hands , hands that have not only cooked their own food , but humble food - mush , at that . What we see in all of the scenes that feature hands , and most emphatically in this final one , is that the characters in the novel are ...
... hands , hands that have not only cooked their own food , but humble food - mush , at that . What we see in all of the scenes that feature hands , and most emphatically in this final one , is that the characters in the novel are ...
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Common terms and phrases
appears attempt becomes beginning bien c'est called century characters communication como concept critics culture d'une death della described desire discussion example existence experience expression fact father figure final forma French give hands hombre human idea important interpretation Italian Italy language letter literary literature lives meaning metafictional metaphor modo moral mort mujer narrative narrator nature negro novel obra original padre para Paris play poem poeta political position possible present principal provides question questo reader reading reality reason reference relation relationship role seems sense signs social story structure suggests texto tradition University woman women writing York