Romance Languages Annual: RLA., Volume 3Purdue Research Foundation, 1991 - Language and languages |
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Page 91
... experience ha montré à toutes nacions du monde , si farouche , & si rude , & au demeurant tant malaisé à gouverner , qu'onques homme ne s'y est porté si sagement , ni avec si grand heur , ni butins si riches , ni ne lui ont esté ...
... experience ha montré à toutes nacions du monde , si farouche , & si rude , & au demeurant tant malaisé à gouverner , qu'onques homme ne s'y est porté si sagement , ni avec si grand heur , ni butins si riches , ni ne lui ont esté ...
Page 92
... experience on the foundation of experience , not on otherworldly or fantastic ideals , and not on long - accepted custom . This conviction is important in his ideas on orthographic reform also . " True experience " in conjunction with ...
... experience on the foundation of experience , not on otherworldly or fantastic ideals , and not on long - accepted custom . This conviction is important in his ideas on orthographic reform also . " True experience " in conjunction with ...
Page 150
... experience the freedom and beauty they experience , man is a spirit , he has a soul . I want to capture my soul , live in the field , capture the air , live without shoes , possessions , servants . I like to be a beggar , I want to be ...
... experience the freedom and beauty they experience , man is a spirit , he has a soul . I want to capture my soul , live in the field , capture the air , live without shoes , possessions , servants . I like to be a beggar , I want to be ...
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Common terms and phrases
appears attempt becomes beginning bien c'est called century characters communication como concept critics culture d'une death della described desire discussion example existence experience expression fact father figure final forma French give hands hombre human idea important interpretation Italian Italy language letter literary literature lives meaning metafictional metaphor modo moral mort mujer narrative narrator nature negro novel obra original padre para Paris play poem poeta political position possible present principal provides question questo reader reading reality reason reference relation relationship role seems sense signs social story structure suggests texto tradition University woman women writing York