Romance Languages Annual: RLA., Volume 3Purdue Research Foundation, 1991 - Language and languages |
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Page 176
... called these parts thirds , and allotted three to each tribe in such a way that each tribe should have a share in all the regions . He made the men living in each deme fellow - demesmen of one another , so that they should not use their ...
... called these parts thirds , and allotted three to each tribe in such a way that each tribe should have a share in all the regions . He made the men living in each deme fellow - demesmen of one another , so that they should not use their ...
Page 338
... called " politically correct " and those who are the so - called " traditionalists , " we may all end up being drawn back deeper into binary and hierarchical structures of otherness . As I watched the scene in Scorsese's film in which ...
... called " politically correct " and those who are the so - called " traditionalists , " we may all end up being drawn back deeper into binary and hierarchical structures of otherness . As I watched the scene in Scorsese's film in which ...
Page 532
... called overdeterminacy . No , I'll be quite clear , even vulgar : Rita Cansino got screwed both figuratively and literally . And the way this scewing went down speaks eloquently to both ethnicity and gender in the United States and the ...
... called overdeterminacy . No , I'll be quite clear , even vulgar : Rita Cansino got screwed both figuratively and literally . And the way this scewing went down speaks eloquently to both ethnicity and gender in the United States and the ...
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appears attempt becomes beginning bien c'est called century characters communication como concept critics culture d'une death della described desire discussion example existence experience expression fact father figure final forma French give hands hombre human idea important interpretation Italian Italy language letter literary literature lives meaning metafictional metaphor modo moral mort mujer narrative narrator nature negro novel obra original padre para Paris play poem poeta political position possible present principal provides question questo reader reading reality reason reference relation relationship role seems sense signs social story structure suggests texto tradition University woman women writing York