An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 pages |
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Page 4
... piece , perhaps with the name of an Hercules , but , alas ! it was al- ways Hercules fpinning , that was fhewn to the fpectator . And yet the editor of Cor- neille's works , in terms fo grofs as are hardly pardonable pardonable in fuch ...
... piece , perhaps with the name of an Hercules , but , alas ! it was al- ways Hercules fpinning , that was fhewn to the fpectator . And yet the editor of Cor- neille's works , in terms fo grofs as are hardly pardonable pardonable in fuch ...
Page 5
... pieces . It must be owned , that in fome places they bear the marks of the unpolished times , in which he wrote , but one cannot forbear fmil- ing to hear a critic , who profeffes himself an admirer of the tragedies of Corneille , ob ...
... pieces . It must be owned , that in fome places they bear the marks of the unpolished times , in which he wrote , but one cannot forbear fmil- ing to hear a critic , who profeffes himself an admirer of the tragedies of Corneille , ob ...
Page 7
... piece , whom he defigned for a Man , remains a cold inanimate Statue ; which , moving on the wood and wire of the great masters in the mechanical part of the drama , presents to the fpectators a kind of heroic puppet - thew . As these ...
... piece , whom he defigned for a Man , remains a cold inanimate Statue ; which , moving on the wood and wire of the great masters in the mechanical part of the drama , presents to the fpectators a kind of heroic puppet - thew . As these ...
Page 16
... the works of our countryman , in allowing them the credit of a few splen- did paffages , while he speaks of every entire piece as a monftrous and ill- constructed Farce . I farce . - Ridiculously has our poet , and 16 INTRODUCTION .
... the works of our countryman , in allowing them the credit of a few splen- did paffages , while he speaks of every entire piece as a monftrous and ill- constructed Farce . I farce . - Ridiculously has our poet , and 16 INTRODUCTION .
Page 31
... Mrs. Montagu (Elizabeth). il 16 . who whic stage A porta talen apol let i perb conf every to do heap his n this his the ti wit , prodi in fa in all did p piece pecies of poetry , as distinct from Statuary from Painting.
... Mrs. Montagu (Elizabeth). il 16 . who whic stage A porta talen apol let i perb conf every to do heap his n this his the ti wit , prodi in fa in all did p piece pecies of poetry , as distinct from Statuary from Painting.
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Common terms and phrases
abfurd addrefs admired Affaffin affume againſt allegory anſwer ANTONY appears Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpectator French fuch fuperior fuppofed genius Ghoft ghoſt greateſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſters mind moft moſt muft muſt myſelf nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet poetry preſent purpoſe racter raiſed reaſon refpect repreſentation repreſented Roman ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſubject ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed Voltaire vulgar whofe whoſe Witches
Popular passages
Page 247 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 260 - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Page 265 - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Page 265 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
Page 254 - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
Page 182 - If chance will have me king, why, chance may crown me, Without my stir.
Page 177 - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
Page 262 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Page 266 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Page 183 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...