An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 pages |
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Page 5
... lefs fit to be copied on the stage : and what are most parts of Corneille's boafted tragedies , but the romantic dialogue , its tedious foliloquy , and its extravagant sentiments in the true Gothic livery of rhyme ? The French poets ...
... lefs fit to be copied on the stage : and what are most parts of Corneille's boafted tragedies , but the romantic dialogue , its tedious foliloquy , and its extravagant sentiments in the true Gothic livery of rhyme ? The French poets ...
Page 37
... lefs knowing or obfervant of outward forms : against the one he often offends , he very rarely misrepresents the other . The French tragedians , on the con- trary , attend not to the nature of the Man , whom they represent , but to the ...
... lefs knowing or obfervant of outward forms : against the one he often offends , he very rarely misrepresents the other . The French tragedians , on the con- trary , attend not to the nature of the Man , whom they represent , but to the ...
Page 38
... as to the fweat and toil of the Poet in his closet , in afforting male and female rhymes . We have already remarked , that the more we revert from the Stage Stage to the Poet , the lefs we shall be 38 On DRAMATIC POETRY .
... as to the fweat and toil of the Poet in his closet , in afforting male and female rhymes . We have already remarked , that the more we revert from the Stage Stage to the Poet , the lefs we shall be 38 On DRAMATIC POETRY .
Page 39
... lefs we shall be affected by what is acted ; and therefore if the diffi- culty of rhyme , and its apparent difference from the common language of dialogue , be fuch , as continually to fet the Art and the Artist before our eyes , the ...
... lefs we shall be affected by what is acted ; and therefore if the diffi- culty of rhyme , and its apparent difference from the common language of dialogue , be fuch , as continually to fet the Art and the Artist before our eyes , the ...
Page 41
... Delicacy would be justly offended , if the loud groans and nauseous . wounds of Philoctetes were imitated on the Stage ; but would Good fenfe be lefs of- fended , 4 fended , if , in the conduct of the play On DRAMATIC POETRY . 41.
... Delicacy would be justly offended , if the loud groans and nauseous . wounds of Philoctetes were imitated on the Stage ; but would Good fenfe be lefs of- fended , 4 fended , if , in the conduct of the play On DRAMATIC POETRY . 41.
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Common terms and phrases
abfurd addrefs admired Affaffin affume againſt allegory anſwer ANTONY appears Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpectator French fuch fuperior fuppofed genius Ghoft ghoſt greateſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſters mind moft moſt muft muſt myſelf nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet poetry preſent purpoſe racter raiſed reaſon refpect repreſentation repreſented Roman ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſubject ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed Voltaire vulgar whofe whoſe Witches
Popular passages
Page 247 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 260 - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Page 265 - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Page 265 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
Page 254 - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
Page 182 - If chance will have me king, why, chance may crown me, Without my stir.
Page 177 - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
Page 262 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Page 266 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Page 183 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...