An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 pages |
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Page 10
... affected . James brought an addition of pedantry , accompanied by indecent and in- delicate manners and language . By conta- gion , or from complaifance to the taste of the public , Shakespear falls fometimes into the fashionable mode ...
... affected . James brought an addition of pedantry , accompanied by indecent and in- delicate manners and language . By conta- gion , or from complaifance to the taste of the public , Shakespear falls fometimes into the fashionable mode ...
Page 19
... tragedy of Gorboduc ; in which the moral of each act is represented on the stage in dumb fhew . It is therefore strange that Mr. de Voltaire , who B 2 who affects an impartial and philofophic fpi- rit , should INTRODUCTION . 19.
... tragedy of Gorboduc ; in which the moral of each act is represented on the stage in dumb fhew . It is therefore strange that Mr. de Voltaire , who B 2 who affects an impartial and philofophic fpi- rit , should INTRODUCTION . 19.
Page 20
... affects an impartial and philofophic fpi- rit , should not rather speak with admiration , than contempt , of an author , who by the force of genius rofe fo much above the age and circumstances in which he was born , and who , even when ...
... affects an impartial and philofophic fpi- rit , should not rather speak with admiration , than contempt , of an author , who by the force of genius rofe fo much above the age and circumstances in which he was born , and who , even when ...
Page 39
... affected by what is acted ; and therefore if the diffi- culty of rhyme , and its apparent difference from the common language of dialogue , be fuch , as continually to fet the Art and the Artist before our eyes , the specific merit of a ...
... affected by what is acted ; and therefore if the diffi- culty of rhyme , and its apparent difference from the common language of dialogue , be fuch , as continually to fet the Art and the Artist before our eyes , the specific merit of a ...
Page 57
... affected if we know it to be true ; and the intereft is still heightened if we have any relation to the perfons concerned . Our noble country- man , Percy , engages us much more than Achilles , or any Grecian hero . The people , for ...
... affected if we know it to be true ; and the intereft is still heightened if we have any relation to the perfons concerned . Our noble country- man , Percy , engages us much more than Achilles , or any Grecian hero . The people , for ...
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abfurd addrefs admired Affaffin affume againſt allegory anſwer ANTONY appears Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpectator French fuch fuperior fuppofed genius Ghoft ghoſt greateſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſters mind moft moſt muft muſt myſelf nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet poetry preſent purpoſe racter raiſed reaſon refpect repreſentation repreſented Roman ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſubject ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed Voltaire vulgar whofe whoſe Witches
Popular passages
Page 247 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 260 - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Page 265 - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Page 265 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
Page 254 - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
Page 182 - If chance will have me king, why, chance may crown me, Without my stir.
Page 177 - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
Page 262 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Page 266 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Page 183 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...