Shakespeare 400: Essays by American Scholars on the Anniversary of the Poet's BirthJames Gilmer McManaway Holt, Rinehart and Winston, 1964 - 323 pages |
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Page 163
... performance by the King's Men at the Globe on 12 June 1631 , there is no record of the play on the stage until Nahum Tate's alteration was produced about 1680-1 . In 1719-20 , Lewis Theobald's alteration was presented at Lincoln's Inn ...
... performance by the King's Men at the Globe on 12 June 1631 , there is no record of the play on the stage until Nahum Tate's alteration was produced about 1680-1 . In 1719-20 , Lewis Theobald's alteration was presented at Lincoln's Inn ...
Page 167
... performances by 26 May ) and The Historical Register ( 21 March 1737 ) burlesqued and satirized the government so pointedly that during one performance Sir Robert Walpole went back stage and " corrected " one of the comedians " with his ...
... performances by 26 May ) and The Historical Register ( 21 March 1737 ) burlesqued and satirized the government so pointedly that during one performance Sir Robert Walpole went back stage and " corrected " one of the comedians " with his ...
Page 191
... performances at the Little Theatre in the Haymarket , to which a halt had to be called because he was playing at an unlicensed location . He had advertised his revival 28 August 1744 as the first performance of Romeo and Juliet for one ...
... performances at the Little Theatre in the Haymarket , to which a halt had to be called because he was playing at an unlicensed location . He had advertised his revival 28 August 1744 as the first performance of Romeo and Juliet for one ...
Contents
James G McManaway Preface v | 17 |
John F Fleming A Book from Shakespeares Library | 25 |
Irving Ribner Marlowe and Shakespeare | 41 |
Copyright | |
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Common terms and phrases
action Antony appears asks audience become beginning better Caesar called cause character civil Claudius Cleopatra comedy comic concern course critics death drama Dream edition effect Elizabethan example eyes fact father feeling final fool gives Hamlet hand human idea imagination important John Juliet kind King knowledge later Lear leave less Library lines live London look lord madness means Measure mind moral nature never night Ophelia original Othello performance perhaps play plot possible present Professor Queen reason Richard Roberts Romeo scene seems sense Shakespeare society soul speaks speech stage Studies suggest tells theater thee things thou thought Titus tragedy tragic Troilus true truth turn University whole