Shakespeare 400: Essays by American Scholars on the Anniversary of the Poet's BirthJames Gilmer McManaway Holt, Rinehart and Winston, 1964 - 323 pages |
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Page 56
... mind to it . At the end of Plato's Symposium Socrates is arguing that the genius of comedy is the same as the genius of tragedy , and this might have led to something but everyone was too drunk to listen ; so Socrates put Aristophanes ...
... mind to it . At the end of Plato's Symposium Socrates is arguing that the genius of comedy is the same as the genius of tragedy , and this might have led to something but everyone was too drunk to listen ; so Socrates put Aristophanes ...
Page 89
... mind as it turns upon , or toward , or away from , himself . It is this interaction of the hero's mind with the least yielding of all materials that contributes some of the necessary toughness of the tragic substance . If self does not ...
... mind as it turns upon , or toward , or away from , himself . It is this interaction of the hero's mind with the least yielding of all materials that contributes some of the necessary toughness of the tragic substance . If self does not ...
Page 90
... mind , knowing or unknowing , and the self to be known . To speak of that which is to be known is to suggest the presence of an inert mass of the knowable to be taken in or rejected by the knower's mind . There is also an interesting ...
... mind , knowing or unknowing , and the self to be known . To speak of that which is to be known is to suggest the presence of an inert mass of the knowable to be taken in or rejected by the knower's mind . There is also an interesting ...
Contents
James G McManaway Preface v | 17 |
John F Fleming A Book from Shakespeares Library | 25 |
Irving Ribner Marlowe and Shakespeare | 41 |
Copyright | |
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Common terms and phrases
action Antony appears asks audience become beginning better Caesar called cause character civil Claudius Cleopatra comedy comic concern course critics death drama Dream edition effect Elizabethan example eyes fact father feeling final fool gives Hamlet hand human idea imagination important John Juliet kind King knowledge later Lear leave less Library lines live London look lord madness means Measure mind moral nature never night Ophelia original Othello performance perhaps play plot possible present Professor Queen reason Richard Roberts Romeo scene seems sense Shakespeare society soul speaks speech stage Studies suggest tells theater thee things thou thought Titus tragedy tragic Troilus true truth turn University whole