Shakespeare 400: Essays by American Scholars on the Anniversary of the Poet's BirthJames Gilmer McManaway Holt, Rinehart and Winston, 1964 - 323 pages |
From inside the book
Results 1-3 of 50
Page 13
... example of perfect concrescence - consummation of elements , novelty , feeling , fitness , fact , actuality , and process . There is even an element of what Whitehead calls " subjective form " , for Shakespeare does not often explain or ...
... example of perfect concrescence - consummation of elements , novelty , feeling , fitness , fact , actuality , and process . There is even an element of what Whitehead calls " subjective form " , for Shakespeare does not often explain or ...
Page 32
... examples the height of the screen was increased . by a barrier about 3 feet high , the resulting gallery thus being " open ” . An illustration is the Great Hall screen of Hampton Court Palace ( 1531-1536 ) . ( Plate 3. ) In other examples ...
... examples the height of the screen was increased . by a barrier about 3 feet high , the resulting gallery thus being " open ” . An illustration is the Great Hall screen of Hampton Court Palace ( 1531-1536 ) . ( Plate 3. ) In other examples ...
Page 37
... example and also as a permanent rather than a temporary struc- ture . Third , he erected a permanent tiring - house in place of the booth pre- sumably fitted up in front of a few bays of the frame in the earlier temporary arrangement in ...
... example and also as a permanent rather than a temporary struc- ture . Third , he erected a permanent tiring - house in place of the booth pre- sumably fitted up in front of a few bays of the frame in the earlier temporary arrangement in ...
Contents
James G McManaway Preface v | 17 |
John F Fleming A Book from Shakespeares Library | 25 |
Irving Ribner Marlowe and Shakespeare | 41 |
Copyright | |
19 other sections not shown
Common terms and phrases
action Antony appears asks audience become beginning better Caesar called cause character civil Claudius Cleopatra comedy comic concern course critics death drama Dream edition effect Elizabethan example eyes fact father feeling final fool gives Hamlet hand human idea imagination important John Juliet kind King knowledge later Lear leave less Library lines live London look lord madness means Measure mind moral nature never night Ophelia original Othello performance perhaps play plot possible present Professor Queen reason Richard Roberts Romeo scene seems sense Shakespeare society soul speaks speech stage Studies suggest tells theater thee things thou thought Titus tragedy tragic Troilus true truth turn University whole