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the question, is not the way to settle it, or that when an objection is raised, it ought to be met with something more convincing, than scoundrel’ and blockhead.'

It would be absurd to read the works of such a writer for political instruction. The utmost that can be expected from any system promulgated by him is, that it may be splendid and affecting, that it may suggest sublime and pleasing images. His scheme of philosophy is, a mere daydream, a poetical creation, like the Domdaniel caverns, the Swerga, or Padalon; and indeed, it bears no inconsiderable resemblance to those gorgeous visions. Like them,

has something of invention, grandeur, and brilliancy. But, like them, it is grotesque and extravagant, and perpetually violates that conventional probability which is essential to the effect even of works of art.

The warmest admirers of Mr. Southey will scarcely, we think, deny that his success has almost always borne an inverse proportion to the degree in which his undertakings have required a logical head. His poems, taken in the mass, stand far higher than his prose works. The Laureate Odes, indeed, among which the Vision of Judgment must be classed, are, for the most part, worse than Pye's and as bad as Cibber's ; nor do we think him generally happy in short pieces. But his longer poems, though full of faults, are nevertheless very extraordinary productions. We doubt greatly whether they will be read fifty years hence; but that if they are read, they will be admired, we have no doubt whatever.

But though in general we prefer Mr. Southey's poetry to his prose, we must make one exception. The Life of Nelson is, beyond all doubt, the most perfect and the most delightful of his works. The fact is, as his poems most abundantly prove, that he is by no means so skilful in designing, as in filling up. It was therefore an advantage to VOL. I.


him to be furnished with an outline of characters and events, and to have no other task to perform than that of touching the cold sketch into life. No writer, perhaps, ever lived, whose talents so precisely qualified him to write the history of the great naval warrior. There were no fine riddles of the human heart to read, no theories to found, no hidden causes to develope, no remote consequences to predict. The character of the hero lay on the surface. The exploits were brilliant and picturesque. The necessity of adhering to the real course of events saved Mr. Southey from those faults which deform the original plan of almost every one of his poems, and which even his innumerable beauties of detail scarcely redeem. The subject did not require the exercise of those reasoning powers the want of which is the blemish of his prose. It would not be easy to find, in all literary history, an instance of a more exact hit between wind and water. John Wesley, and the Peninsular War, were subjects of a very different kind, subjects which required all the qualities of a philosophic historian. In Mr. Southey's works on these subjects, he has, on the whole, failed. Yet there are charming specimens of the art of narration in both of them. The Life of Wesley will probably live. Defective as it is, it contains the only popular account of a most remarkable moral revolution, and of a man whose eloquence and logical acuteness might have rendered him eminent in literature, whose genius for government was not inferior to that of Richelieu, and who, whatever his errors may have been, devoted all his powers, in defiance of obloquy and derision, to what he sincerely considered as the highest good of his species. The History of the Peninsular War is already dead : indeed, the second volume was dead-born. The glory of producing an imperishable record of that great conflict seems to be reserved for Colonel Napier.

The Book of the Church contains some stories very pret

tily told. The rest is mere rubbish. The adventure was manifestly one which could be achieved only by a profound thinker, and in which even a profound thinker might have failed, unless his passions had been kept under strict control. In all those works in which Mr. Southey has completely abandoned narration, and undertaken to argue moral and political questions, his failure has been complete and ignominious. On such occasions, his writings are rescued from utter contempt and derision, solely by the beauty and purity of the English. We find, we confess, so great a charm in Mr. Southey's style, that, even when he writes nonsense, we generally read it with pleasure, except indeed when he tries to be droll. A more insufferable jester never existed. He very often attempts to be humorous, and yet we do not remember a single occasion on which he has succeeded farther than to be quaintly and flippantly dull. In one of his works, he tells us that Bishop Sprat was very properly so called, inasmuch as he was a very small poet, And in the book now before us, he cannot quote Francis Bugg without a remark on his unsavory name. might talk folly like this by his own fireside ; but that any human being, after having made such a joke, should write it down, and copy it out, and transmit it to the printer, and correct the proof-sheets, and send it forth into the world, is enough to make us ashamed of our species.

The extraordinary bitterness of spirit which Mr Southey manifests towards his opponents is, no doubt, in a great measure to be attributed to the manner in which he forms his opinions. Differences of taste, it has often been remarked, produce greater exasperation than differences on points of science. But this is not all. A peculiar austerity marks almost all Mr. Southey's judgments of men and actions. We are far from blaming him for fixing on a high standard of morals, and for applying that standard to every

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But rigor ought to be accompanied by discernment, and of discernment Mr. Southey seems to be utterly destitute. His mode of judging is monkish ; it is exactly what we should expect from a stern old Benedictine, who had been preserved from many ordinary frailties by the restraints of his situation. No man out of a cloisier ever wrote about love, for example, so coldly and at the same time so grossly. His descriptions of it are just what we should hear from a recluse, who knew the passion only from the details of the confessional. Almost all his heroes make love either like seraphim or like cattle. He seems to have no notion of any. thing between the Platonic passion of the Glendoveer, who gazes with rapture on his mistress's leprosy, and the brutal appetite of Arvalan and Roderick. In Roderick, indeed, the two characters are united. He is first alt clay, and then all spirit ; he goes forth a Tarquin, and comes back too etherial to be married. The only love-scene, as far as we can recollect, in Madoc, consists of the delicate attentions which a savage, who has drunk too much of the Prince's metheglin, offers to Goervyl. It would be the labor of a week to find, in all the vast mass of Mr. Southey's poetry, a single passage indicating any sympathy with those feelings which have consecrated the shades of Vaucluse and the rocks of Meillerie.

Indeed, if we except some very pleasing images of paternal tenderness and filial duty, there is scarcely anything soft or humane in Mr. Southey's poetry. What theologians call the spiritual sins are his cardinal virtues, - hatred, pride, and the insatiable thirst of vengeance. These passions he disguises under the name of duties; he purifies them from the alloy of vulgar interests ; he ennobles them by uniting them with energy, fortitude, and a severe sanctity of manners, and then holds them up to the admiration of mankind. This is the spirit of Thalaba, of Ladurlad, of Adosinda, of Rode.

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rick after his regeneration. It is the spirit which, in all his writings, Mr. Southey appears to effect. “I do well to be angry,' seems to be the predominant feeling of his mind. Almost the only mark of charity which he vouchsafes to his opponents, is to

pray for their conversion, and this he does in terms not unlike those in which we can imagine a Portuguese priest interceding with Heaven for a Jew, delivered over to the secular arm after a relapse.

We have always heard, and fully believe, that Mr. Southey is a very amiable and humane man; nor do we intend to apply to him personally any of the remarks which we have made on the spirit of his writings. Such are the caprices of human nature. Even Uncle Toby troubled himself very little about the French grenadiers who fell on the glacis of Namur. And when Mr. Southey takes up his pen, he changes his nature as much as Captain Shandy when he girt on his sword. The only opponents to whom he gives quarter are those in whom he finds something of his own character reflected. He seems to have an instinctive antipathy for calm, moderate men, - for men who shun extremes, and who render reasons. He has treated Mr. Owen of Lanark, for example, with infinitely more respect than he has shown to Mr. Hallam or to Dr. Lingard; and this for no reason that we can discover, except that Mr. Owen is more unreasonably and hopelessly in the wrong than any speculator of our time.

Mr. Southey's political system is just what we might expect from a man who regards politics, not as a matter of science, but as a matter of taste and feeling. All his schemes of government have been inconsistent with themselves. In his youth he was a republican ; yet, as he tells us in his preface to these Colloquies, he was even then opposed to the Catholic claims. He is now a violent UltraTory. Yet while he maintains, with vehemence approach

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