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[Edinburgh Review, 1828.]
To write History respectably, - that is, to abbreviate despatches, and make extracts from speeches, to intersperse in due proportion epithets of praise and abhorrence, to draw up antithetical characters of great men, setting forth how many contradictory virtues and vices they united, and abounding in withs and withouts ; all this is very easy. But to be a really great historian is perhaps the rarest of intellectual distinctions. Many Scientific works are, in their kind, absolutely perfect. There are Poems which we should be inclined to designate as faultless, or as disfigured only by blemishes which pass unnoticed in the general blaze of excellence. There are Speeches, some speeches of Demosthenes particularly, in which it would be impossible to alter a word, without altering it for the worse.
But we are ac. quainted with no History which approaches to our notion of what a history ought to be ; with no history which does not widely depart, either on the right hand or on the left, from the exact line.
The cause may easily be assigned. This province of literature is a debatable land. It lies on the confines of two distinct territories. It is under the jurisdiction of two hostile powers; and, like other districts similarly situated, it is ill defined, ill cultivated, and ill regulated. Instead of being equally shared between its two rulers, the Reason and
* The Romance of History. England. By HENRY NEELE. London, 1828.
the Imagination, it falls alternately under the sole and absolute dominion of each. It is sometimes fiction. It is sometimes theory.
History, it has been said, is philosophy teaching by examples. Unhappily what the philosophy gains in soundness and depth, the examples generally lose in vividness. A perfect historian must possess an imagination sufficiently powerful to make his narrative affecting and picturesque. Yet he must control it so absolutely as to content himself with the materials which he finds, and to refrain from supplying deficiencies by additions of his own. He must be a profound and ingenious reasoner.
Yet he must possess sufficient self-command to abstain from casting his facts in the mould of his hypothesis. Those who can justly estimate these almost insuperable difficulties will not think it strange that every writer should have failed, either in the narrative or in the speculative department of history.
It may be laid down as a general rule, though subject to considerable qualifications and exceptions, that history begins in Novel and ends in Essay. Of the romantic historians Herodotus is the earliest and the best. His animation, his simple-hearted tenderness, his wonderful talent for description and dialogue, and the pure sweet flow of his language, place him at the head of narrators. He reminds us of a delightful child. There is a grace beyond the reach of af. fectation in his awkwardness, a malice in his innocence, an intelligence in his nonsense, an insinuating eloquence in his lisp. We know of no writer who makes such interest for himself and his book in the heart of the reader. At the distance of three-and-twenty centuries, we feel for him the same sort of pitying fondness which Fontaine and Gay are said to have inspired in society. He has written an incomparable book. He has written something better perhaps than the best history ; but he has not written a good history ; he is, from the first to the last chapter, an inventor. We do not here refer merely to those gross fictions with which he has been reproached by the critics of later times. We speak of that coloring which is equally diffused over his whole narrative, and which perpetually leaves the most sagacious reader in doubt what to reject and what to receive. The most authentic parts of his work bear the same relation to his wildest legends, which Henry the Fifth bears to the Tempest. There was an expedition undertaken by Xerxes against Greece; and there was an invasion of France. There was a battle at Platæa ; and there was a battle at Agincourt. Cambridge and Exeter, the Constable and the Dauphin, were persons as real as Demaratus and Pausanias. The harangue of the Archbishop on the Salic Law and the Book of Numbers differs much less from the orations which have in all ages proceeded from the Right Reverend bench, than the speeches of Mardonius and Artabanus, from those which were delivered at the Council-board of Susa. Shakspeare gives us enumerations of armies, and returns of killed and wounded, which are not, we suspect, much less accurate than those of Herodotus. There are passages in Herodotus nearly as long as acts of Shakspeare, in which everything is told dramatically, and in which the narrative serves only the purpose of stage-directions. It is possible, no doubt, that the substance of some real conversations may have been reported to the historian. But events which, if they ever happened, happened in ages and nations so remote that the particulars could never have been known to him, are related with the greatest minuteness of detail. We have all that Candaules said to Gyges, and all that passed between Astyages and Harpagus. We are, therefore, unable to judge whether, in the account which he gives of transactions, re. specting which he might possibly have been well informed, we can trust to anything beyond the naked outline ; whether, for example, the answer of Gelon to the ambassadors of the Grecian confederacy, or the expressions which passed between Aristides and Themistocles at their famous interview, have been correctly transmitted to us. The great events are, no doubt, faithfully related. So, probably, are many of the slighter circumstances ; but which of them it is impossible to ascertain. The fictions are so much like the facts, and the facts so much like the fictions, that, with respect to many most interesting particulars, our belief is neither given nor withheld, but remains in an uneasy and interminable state of abeyance. We know that there is truth, but we cannot exactly decide where it lies.
The faults of Herodotus are the faults of a simple and imaginative mind. Children and servants are remarkably Herodotean in their style of narration. They tell everything dramatically. Their says hes and says shes are proverbial. Every person who has had to settle their disputes knows that, even when they have no intention to deceive, their reports of conversation always require to be carefully sifted. If an educated man were giving an account of the late change of administration, he would say, 'Lord Goderich resigned ; and the King, in consequence, sent for the Duke of Wellington.' A porter tells the story as if he had been hid behind the curtains of the royal bed at Windsor : • So Lord Goderich says, “ I cannot manage this business ; I must go out." So the King says, says he, “Well, then, I must send for the Duke of Wellington, that's all.” ? This is in the very manner of the father of history,
Herodotus wrote as it was natural that he should write. He wrote for a nation susceptible, curious, lively, insatiably desirous of novelty and excitement; for a nation in which the fine arts had attained their highest excellence, but in which philosophy was still in its infancy. His countrymen had but recently begun to cultivate prose composition. Pub
lic transactions had generally been recorded in verse. The first historians might, therefore, indulge without fear of censure, in the license allowed to their predecessors the bards. Books were few. The events of former times were learned from tradition and from popular ballads; the manners of foreign countries from the reports of travellers. It is well known that the mystery which overhangs what is distant, either in space or time, frequently prevents us from censuring as unnatural what we perceive to be impossible. We stare at a dragoon, who has killed three French cuirassiers, as a prodigy ; yet we read, without the least disgust, how Godfrey slew his thousands, and Rinaldo his ten thousands. Within the last hundred years, stories about China and Bantam, which ought not to have imposed on an old nurse, were gravely laid down as foundations of political theories by eminent philosophers. What the time of the Crusades is to us, the generation of Cresus and Solon was to the Greeks of the time of Herodotus. Babylon was to them what Pekin was to the French academicians of the last century.
For such a people was the book of Herodotus composed; and, if we may trust to a report, not sanctioned indeed by writers of high authority, but in itself not improbable, it was composed not to be read, but to be heard. It was not to the slow circulation of a few copies, which the rich only could possess, that the aspiring author looked for his reward. The great Olympian festival, — the solemnity which collected multitudes, proud of the Grecian name, from the wildest mountains of Doris, and the remotest colonies of Italy and Libya, was to witness his triumph. The interest of the narrative, and the beauty of the style, were aided by the imposing effect of recitation, - by the splendor of the spec
tacle, - by the powerful influence of sympathy. A critic, who could have asked for authorities in the midst of such