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dusty morning, and that the huntsmen of the east were all abroad by nine o'clock, trotting, fair and softly, down the road, on great nine-hand skyscrapers, nimble daisycutting nags, flowing-tailed chargers, and ponies no bigger than the learned one at Astley's; some were in job-coaches, at two guineas a-day; some in three-bodied nondescripts, some in gigs, some in cabs, some in drags, some in short stages, and some in long stages; while some on no stages at all, footed the road, smothered by dust driven by a black, bleak northeaster full in the teeth. Every gentleman was arrayed after his own particular taste, in blue, brown, or black-in dress-coats, long coats, short coats, frock coats, great coats, and no-coats;-in drab-slacks and slippers;-in gray-tights, and blackspurred Wellingtons ;-in nankeen bombballoons;-in city-white cotton-cord unmentionables, with jockey toppers, and in Russian-drill down-belows, as a memento of the late czar. The ladies all wore a goose-skin under-dress, in compliment to the north-easter.

At that far-famed spot, the brow above Fairmead bottom, by twelve o'clock, there were not less than three thousand merry lieges then and there assembled. It was a beautiful set-out. Fair dames" in purple and in pall," reposed in vehicles of all sorts, sizes, and conditions, whilst seven or eight hundred mounted members of the hunt wound in and out "in restless ectasy," chatting and laughing with the fair, sometimes rising in their stirrups to look out for the long-coming cart of the stag, "whilst, with off heel assiduously aside," they "provoked the caper which they seemed to hide." The green-sward was covered with ever-moving crowds on foot, and the pollard oaks which skirt the bottom on either side were filled with men aud boys.

But where the deuce is the stag all this while? One o'clock, and no stag. Two o'clock, and no stag!-a circumstance easily accounted for by those who are in the secret, and the secret is this. There are buttocks of boiled beef and fat hams, and beer and brandy in abundance, at the Roebuck public-house low down in the forest; and ditto at the Baldfaced Stag, on the top of the hill; and ditto at the Coach and Horses, at Woodford Wells; and ditto at the Castle, at Woodford; and ditto at the Eagle, at Snaresbrook; and if the stag had been brought out before the beef, beer, bacon, and brandy, were

eaten and drank, where would have been the use of providing so many good things? So they carted the stag from public-house to public-house, and showed him at threepence a head to those ladies and gentlemen who never saw such a thing before; and the showing and carting induced a consumption of eatables and drinkables, an achievement which was helped by a band of music in every house, playing hungry tunes to help the appetite; and then, when the eatables and drinkables were gone, and paid for, they turned out the stag.

Precisely at half-past two o'clock, the stag-cart was seen coming over the hill by the Baldfaced Stag, and hundreds of horsemen and gig-men rushed gallantly forward to meet and escort it to the top of Fairmead bottom, amidst such whooping and hallooing, as made all the forest echo again; and would have done Carl Maria Von Weber's heart good to hear. And then, when the cart stopped and was turned tail about, the horsemen drew up in long lines, forming an avenue wide enough for the stag to run down. For a moment, all was deep, silent, breathless anxiety; and the doors of the cart were thrown open, and out popped a strapping four-year-old red buck, fat as a porker, with a chaplet of flowers round his neck, a girth of divers coloured ribbons, and a long blue and pink streamer depending from the summit of his branching horns. He was received, on his alighting, with a shout that seemed to shake heaven's concave, and took it very graciously, looking round him with great dignity as he stalked slowly and delicately forward, down the avenue prepared for him; and occasionally shrinking from side to side, as some supervalorous cockney made a cut at him with his whip. Presently, he caught a glimpse of the hounds and the huntsmen, waiting for him at the bottom, and in an instant off he bounded, sideways, through the rank, knocking down and trampling all who crowded the path he chose to take; and dashing at once into the cover, he was ought of sight before a man could say

"Jack Robinson!" Then might be seen, gentlemen running about without their horses, and horses galloping about without their gentlemen; and hats out of number brushed off their owners' heads by the rude branches of the trees; and every body asking which way the stag was gone, and nobody knowing any thing about him; and ladies beseeching gentlemen not to

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and Corypha, whose father Oceanus invented four-wheeled chariots.

5. Minerva, the daughter of Pallantis, who fled from her father, and is, therefore, represented with wings on her feet, in the same manner as Mercury.

The Minervalia was a Roman festival 4. Minerva, the daughter of Jupiter in March, commencing on the 19th of the month, and lasting for five days. The first day was spent in devotions to the goddess; the rest in offering sacrifices, seeing the gladiators fight, acting tragedies, and reciting witticisms for prizes. It conferred a vacation on scholars who now, carried schooling money, or presents, called Minerval, to their masters.

According to Cicero there were five Minervas.

1. Minerva, the mother of Apollo. 2. Minerva, the offspring of the Nile, of whom there was a statue with this inscription:-"I am all that was, is, and is to come; and my veil no mortal hath yet removed."

3. Minerva, who, sprung armed from Jupiter's brain.

The second Minerva, of Egypt, is imagined to have been the most ancient. The Phoenicians also had a Minerva, the daughter of Saturn, and the inventress of arts and arms. From one of these two, the Greeks derived their Minerva.

Minerva was worshipped by the Athenians before the age of Cecrops, in whose time Athens was founded, and its name taken from Minerva, whom the Greek called 'Aohn. It was proposed to call the city either by her name or that of Neptune, and as each had partizans, and the women had votes equal to the men,

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"Life is darken'd o'er with woe."-Der Freischüts.

Mr. Matthews at Home, 1826.

It would be as difficult for most persons, who think Mr. Matthews acts easily, to act as he does, as it would be difficult to make such persons comprehend, that his ease is the result of labour, and that his present performance is the result of greater labour than his exhibitions of former years. An examination of the process by which he has attained the extraordinary ability to" command success," would be a fatiguing inquiry to most readers, though a very curious one to some. He has been called a "mimic;" this is derogation from his real powers, which not only can represent the face, but penetrate the intellect. An expert swimmer is not always a successful diver: Mr. Matthews is both. His faculty of observation " surpasses sh.w."

He leaves the features he contemplates, enters into the mind, becomes joint tenant of its hereditaments and appurtenances with the owner, and describes its secret chambers and closets. This faculty obtained lord Chesterfield his fame, and enabled him to persuade the judgment; but he never succeeded by his voice or pen in raising the passions, like Mr. Matthews, who, in that respect, is above the nobleman. The cause of this superiority is, that Mr. Matthews is the creature of feeling-of excitation and depression. This assertion is made without the slightest personal knowledge or even sight of him off the stage; it is grounded on a generalized view of some points in human nature. If Mr. Matthews were not the slave

of temperament, he never could have pictured the Frenchman at the Post Office, nor the gaming Yorkshireman. These are prominences seized by his whole audience, on whom, however, his most delicate touches of character are lost. His high finish of the Irish beggar woman with her "poor child," was never detected by the laughers at their trading duett of "Sweet Home !" The exquisite pathos of the crathur's story was lost. To please a large assemblage the points must be broad. Mr. Matthews's countenance of his host drawing the cork is an excellence that discovers itself, and the entire affair of the dinner is pleasure made easy" to the meanest capacity. The spouting child who sings the "Bacchanal Song" in "Der Freischütz" from whence the engraving is taken, is another "palpable hit," but amazingly increased in force to some of the many who heard it sung by Phillips. The "tipsy toss" of that actor's head, his rollocking look, his stamps in its chorus, and the altogetherness of his style in that single song, were worth the entirety of the drama-yet he was seldom encored. To conclude with Mr. Matthews, it is merely requisite to affirm that his "At Home" in the year 1826, evinces rarer talent than the merit of a higher order which he unquestionably possesses. He is an adept at adaptation beyond com

peer.

COLESHILL CUSTOM.

They have an ancient custom at Coleshill, in the county of Warwick, that if the young men of the town can catch a hare, and bring it to the parson of the parish before ten o'clock on Easter Monday, the parson is bound to give them a calve's head, and a hundred eggs for their breakfast, and a groat in money.*

RIDING THE BLACK LAD. An account of an ancient usage still maintained under this name at Ashtonunder-Lyne, will be found in the annexed letter.

To the Editor of the Every-Day Book. Ashton-under-Lyne, March, 1826.

Sir, A singular custom prevails at this town on Easter Monday. Every year on that day a rude figure of a man made of an old suit of clothes stuffed with rags, hay, &c. is carried on a horse through all the streets.

Blount.

The people who attend it call at every public-house, for the purpose of begging liquor for its thirsty attendants, who are always numerous. During its progress the figure is shot at from all parts. When the journey is finished, it is tied to the market cross, and the shooting is continued till it is set on fire, and falls to the ground. The populace then commence tearing the effigy in pieces, trampling it in mud and water, and throwing it in every direction. This rio: and confusion are increased by help of a reservoir of water being let off, which runs down the streets, and not unfrequently persons obtain large quantities of hay, rags, &c. independent of that which falls from the effigy. The greatest heroes at this time are of the coarsest nature.

The origin of this custom is of so ancient a nature that it admits of no real explanation: some assert that it is intended as a mark of respect to an ancient family

others deem it a disrespect. Dr. Hibbert considers it to have the same meaning as the gool-riding in Scotland, established for the purpose of exterminating weed from corn, on pain of forfeiting a wether sheep for every stock of gool found growing in a farmer's corn. Gool is the yellow flower called the corn Marygold.

It is further supposed, that this custom originated with one of the Assheton's, who possessed a considerable landed property in this part of Lancashire. He was vicechancellor to Henry VI., who exercised great severity on his own lands, and established the gool or guld riding. He is said to have made his appearance on Easter Monday, clad in black armour, and on horseback, followed by a numerous train for the purpose of claiming the penalties arising from the neglect of farmers clearing their corn of the "carr gulds." The tenants looked upon this visit with horror, and tradition has still perpetuated the prayer that was offered for a deliverance from his power :

"Sweet Jesu, for thy mercy's sake, And for thy bitter passion; Save us from the axe of the Tower, And from Sir Ralph of Assheton. It is alleged that, on one of his visits on Easter Monday, he was shot as he was riding down the principal street, and that the tenants took no trouble to find out the murderer, but entered into a subscription, the interest of which was to make an effigy of disgrace to his memory. At the present day, however, the origin is never

thought of. The money is now derived from publicans whose interest it is to keep up the custom. An old steel helmet was used some years ago, but it is now no more; a tin one is used instead.

This custom is applied to another purpose. The occupation of the last couple. married in the old year are represented on the effigy. If a tailor, the shears hang dangling by his side; if a draper, the cloth yard, and so on. The effigy then at the usual time visits the happy couple's door, and unless the bearers are fed in a handsome manner, the dividing gentlemen are not easily got rid of. Some authors state that it is the first couple in the new year; but this is incorrect, as there is always great pressing for marrying on new year's day, in order to be sufficiently early in the

year.

Such is the custom of Blake Lad Monday -or Riding the Black Lad, a custom which thousands annually witness, and numbers come from great distances to see. It is the most thronged, and the most foolish, day the Ashtonians can boast of. C. C.

-G. M. R. C. S. E.

It is observed by the historian of "Manchester and Salford," that the most prevalent of several traditions, as to the origin of this custom, is, that it is kept up to perpetuate the disgraceful actions of sir Ralph Ashton, who in the year 1483, as vice-constable of the kingdom, exercised great severity in this part of the country. From a sum issued out of the court to defray the expense of the effigy, and from a suit of armour, which till of late it usually rode in, together with other traditional particulars, there is another account of the custom. According to this, in the reign of Edward III., at the battle of Neville's Cross, near Durham, his queen, with the earl of Northumberland as general, gained a complete victory over the Scots, under David, king of Scotland, and in this battle one Thomas Ashton of Ashton-underLyne, of whom no other particulars are known, served in the queen's army, rode through the ranks of the enemy, and bore away the royal standard from the Scottish king's tent. For this act of heroism, Edward III. knighted him; he became sir Thomas Ashton, of Ashton-under-Lyne; and to commemorate his valour, he instituted the custom above described, and left ten shillings yearly (since reduced to five) to support it, with his own suit of black

velvet, and a coat of mail, the nel.net of which yet remains."* It will be observed in our correspondent's account, that the helmet has at last disappeared.

"OLD VINEGAR," and

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"hard

a man

"Hard Metal Spoons." William Conway, who cried metal spoons to sell or change," is mentioned by Mr. J. T. Smith, as whose cry is well-known to the inhabitants of London and its environs;" but since Mr. Smith wrote, the "cry" of Conway has ceased from the metropolis, and from the remembrance of all, save a few surviving observers of the manners in humble life that give character to the times. He is noticed here because he introduces another individual connected with the history of the season. Adopting Mr. Smith's language, we must speak of Conway as though his "cry" were still with us. "This industrious man, who has eleven walks in and about London, never had a day's illness, nor has once slept out of his own bed; and let the weather be what it may, he trudges He walks, on an average, twenty-five miles on, and only takes his rest on Sundays. forty-four years. His shoes are made a day; and this he has done for nearly .rom old boots, and a pair will last him about six weeks. In his walks he has but never more than a one pound note. frequently found small pieces of money, He recollects a windmill standing near Moorfields, and well remembers Old Vinegar."+ Without this notice of Con. way, we should not have known" Old Vinegar," who made the rings for the boxers in Moorfields, beating the shins of the spectators, and who, after he had arranged the circle, would cry out "mind sticks for the cudgel players, whose your pockets all round." He provided sports commenced on Easter Monday. At in the pastime, and enlivened the day by that time the "Bridewell boys" joined

their skill in athletic exercises.

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