Landmarks in French Literature |
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Page 44
... rhetoric , moving to the music not of individual emotion , but of a gen- eralised feeling for the beauty and grandeur of high thoughts . He was essentially an ora- torical poet ; but unfortunately the only forms of verse ready to his ...
... rhetoric , moving to the music not of individual emotion , but of a gen- eralised feeling for the beauty and grandeur of high thoughts . He was essentially an ora- torical poet ; but unfortunately the only forms of verse ready to his ...
Page 50
... rhetoric , his love of the extraordinary and the sublime , bring him into closer kinship with Marlowe than with any other writer of his own nation until the time of Victor Hugo . But Corneille could not do what Marlowe did . He could ...
... rhetoric , his love of the extraordinary and the sublime , bring him into closer kinship with Marlowe than with any other writer of his own nation until the time of Victor Hugo . But Corneille could not do what Marlowe did . He could ...
Page 55
... rhetoric easily made up for the deficiency . As he grew older , however , his inspiration weakened ; his command of his material left him ; and he was no longer able to fill the figures of his creation with the old intellectual ...
... rhetoric easily made up for the deficiency . As he grew older , however , his inspiration weakened ; his command of his material left him ; and he was no longer able to fill the figures of his creation with the old intellectual ...
Page 141
... rhetoric ; it is never poetry . The same may be said of La Henriade , the National Epic which placed Voltaire , in the eyes of his admiring countrymen , far above Milton and Dante , and , at least , on a level. THE EIGHTEENTH CENTURY 141.
... rhetoric ; it is never poetry . The same may be said of La Henriade , the National Epic which placed Voltaire , in the eyes of his admiring countrymen , far above Milton and Dante , and , at least , on a level. THE EIGHTEENTH CENTURY 141.
Page 202
... Rhetoric . This love of language for its own sake of language artfully ordered , splen- didly adorned , moving ... rhetorical instinct is preserved from pomposity and inflation by a supreme critical sense . With the eighteenth century ...
... Rhetoric . This love of language for its own sake of language artfully ordered , splen- didly adorned , moving ... rhetorical instinct is preserved from pomposity and inflation by a supreme critical sense . With the eighteenth century ...
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Common terms and phrases
age of Louis artistic Balzac beauty Bossuet brilliant Bruyère Chansons Chansons de Geste character characteristic charm CHRÉTIEN DE TROYES civilisation classical complete Corneille critical detail Diderot doctrine dominating doubt drama eighteenth century elaborate English exquisite extraordinary fact feeling Flaubert Fontaine French literature genius human ideals imagination immense important infinitely influence intensity Jean de Meung language Les Misérables less letters Lettres Provinciales literary literature of France Louis XIV master melancholy ment Middle Ages mind modern Molière Molière's Montaigne Montesquieu movement nature ness never noble novels Paris Parnassiens Pascal passion perfect Philosophes play poems poet poetical poetry precisely produced profound prose qualities Rabelais Racine Racine's reader realise Renaissance rhetoric Romantic Rousseau Saint-Simon seems sense sentences Shakespeare soul spirit splendid splendour strange style subtle supreme things thought tion tradition tragedy triumph true truth vast verse Victor Hugo vision Voltaire Voltaire's whole words writers
Popular passages
Page 71 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Page 60 - Quelle chimère est-ce donc que l'homme ? Quelle nouveauté, quel monstre, quel chaos, quel sujet de contradiction, quel prodige ! Juge de toutes choses, imbécile ver de terre; dépositaire du vrai, cloaque d'incertitude et d'erreur ; gloire et rebut de l'univers.
Page 129 - Les choses les plus souhaitées n'arrivent point ; ou , si elles arrivent, ce n'est ni dans le temps ni dans les circonstances où elles auraient fait un extrême plaisir.
Page 128 - L'on voit * certains animaux farouches , des mâles et des femelles, répandus par la campagne, noirs , livides, et tout brûlés du soleil, attachés à la terre qu'ils fouillent et qu'ils remuent avec une opiniâtreté invincible : ils ont comme une voix articulée ; et quand ils se lèvent sur leurs pieds , ils montrent une face humaine , et en effet ils sont des hommes.
Page 126 - ... a pris racine au milieu de ses tulipes et devant la Solitaire; il ouvre de grands yeux, il frotte ses mains, il se baisse, il la voit de plus près, il ne l'a jamais vue si belle, il a le cœur épanoui de joie; il la...
Page 60 - Nous sommes plaisants de nous reposer dans la société de nos semblables : misérables comme nous, impuissants comme nous, ils ne nous aideront pas; on mourra seul.
Page 118 - Jupin pour chaque état mit deux tables au monde : L'adroit, le vigilant, et le fort, sont assis A la première ; et les petits Mangent leur reste à la seconde.
Page 123 - Nous pardonnons souvent à ceux qui nous ennuient, mais nous ne pouvons pardonner à ceux que nous ennuyons.
Page 14 - ... n'ai jou que faire. Mais en infer voil jou aler, car en infer vont li bel clerc, et li bel cevalier qui sont mort as tornois et as rices gueres, et li...
Page 240 - Oui l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail!