Landmarks in French Literature |
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Page 8
... qualities are already dis- tinctly visible in the earliest French works which have come down to us - the Chansons de Geste . These poems consist of several groups or cycles of narrative verse , cast in the epic mould . It is probable ...
... qualities are already dis- tinctly visible in the earliest French works which have come down to us - the Chansons de Geste . These poems consist of several groups or cycles of narrative verse , cast in the epic mould . It is probable ...
Page 11
... qualities of French literature were developed , than the way in which the vague imaginations of the Celtic romances were metamorphosed by French writers into the unambiguous elegances of civilised life . Both the Chansons de Geste and ...
... qualities of French literature were developed , than the way in which the vague imaginations of the Celtic romances were metamorphosed by French writers into the unambiguous elegances of civilised life . Both the Chansons de Geste and ...
Page 12
... qualities of the French genius . Its innate love of absolute realism and its peculiar capacity for cutting satire these characteristics appear in the Fabliaux in all their completeness . In one or two of the stories , when the writer ...
... qualities of the French genius . Its innate love of absolute realism and its peculiar capacity for cutting satire these characteristics appear in the Fabliaux in all their completeness . In one or two of the stories , when the writer ...
Page 16
... significance is reached by JOINVILLE in his Vie de Saint Louis , written towards the close of the cen- tury . The fascination of the book lies in its human qualities . Joinville narrates , in the easy flowing 16 FRENCH LITERATURE.
... significance is reached by JOINVILLE in his Vie de Saint Louis , written towards the close of the cen- tury . The fascination of the book lies in its human qualities . Joinville narrates , in the easy flowing 16 FRENCH LITERATURE.
Page 17
Lytton Strachey. human qualities . Joinville narrates , in the easy flowing tone of familiar conversation , his ... qualities of sense and spirit , of worldliness and self - immolation , of the most shrewd ORIGINS THE MIDDLE AGES 17.
Lytton Strachey. human qualities . Joinville narrates , in the easy flowing tone of familiar conversation , his ... qualities of sense and spirit , of worldliness and self - immolation , of the most shrewd ORIGINS THE MIDDLE AGES 17.
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Common terms and phrases
age of Louis artistic Balzac beauty Bossuet brilliant Bruyère Chansons Chansons de Geste character characteristic charm CHRÉTIEN DE TROYES civilisation classical complete Corneille critical detail Diderot doctrine dominating doubt drama eighteenth century elaborate English exquisite extraordinary fact feeling Flaubert Fontaine French literature genius human ideals imagination immense important infinitely influence intensity Jean de Meung language Les Misérables less letters Lettres Provinciales literary literature of France Louis XIV master melancholy ment Middle Ages mind modern Molière Molière's Montaigne Montesquieu movement nature ness never noble novels Paris Parnassiens Pascal passion perfect Philosophes play poems poet poetical poetry precisely produced profound prose qualities Rabelais Racine Racine's reader realise Renaissance rhetoric Romantic Rousseau Saint-Simon seems sense sentences Shakespeare soul spirit splendid splendour strange style subtle supreme things thought tion tradition tragedy triumph true truth vast verse Victor Hugo vision Voltaire Voltaire's whole words writers
Popular passages
Page 71 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Page 60 - Quelle chimère est-ce donc que l'homme ? Quelle nouveauté, quel monstre, quel chaos, quel sujet de contradiction, quel prodige ! Juge de toutes choses, imbécile ver de terre; dépositaire du vrai, cloaque d'incertitude et d'erreur ; gloire et rebut de l'univers.
Page 129 - Les choses les plus souhaitées n'arrivent point ; ou , si elles arrivent, ce n'est ni dans le temps ni dans les circonstances où elles auraient fait un extrême plaisir.
Page 128 - L'on voit * certains animaux farouches , des mâles et des femelles, répandus par la campagne, noirs , livides, et tout brûlés du soleil, attachés à la terre qu'ils fouillent et qu'ils remuent avec une opiniâtreté invincible : ils ont comme une voix articulée ; et quand ils se lèvent sur leurs pieds , ils montrent une face humaine , et en effet ils sont des hommes.
Page 126 - ... a pris racine au milieu de ses tulipes et devant la Solitaire; il ouvre de grands yeux, il frotte ses mains, il se baisse, il la voit de plus près, il ne l'a jamais vue si belle, il a le cœur épanoui de joie; il la...
Page 60 - Nous sommes plaisants de nous reposer dans la société de nos semblables : misérables comme nous, impuissants comme nous, ils ne nous aideront pas; on mourra seul.
Page 118 - Jupin pour chaque état mit deux tables au monde : L'adroit, le vigilant, et le fort, sont assis A la première ; et les petits Mangent leur reste à la seconde.
Page 123 - Nous pardonnons souvent à ceux qui nous ennuient, mais nous ne pouvons pardonner à ceux que nous ennuyons.
Page 14 - ... n'ai jou que faire. Mais en infer voil jou aler, car en infer vont li bel clerc, et li bel cevalier qui sont mort as tornois et as rices gueres, et li...
Page 240 - Oui l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail!