Landmarks in French Literature |
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Page 28
Lytton Strachey. $ Renaissance inaugurated a new era in French literature . The new artistic views of the age first appeared , as was natural , in the domain of poetry . The change was one towards con- sciousness and deliberate , self ...
Lytton Strachey. $ Renaissance inaugurated a new era in French literature . The new artistic views of the age first appeared , as was natural , in the domain of poetry . The change was one towards con- sciousness and deliberate , self ...
Page 30
... artistic finish , was really adequate to fulfil the highest demands of genius . In this direction their most important single achievement was their elevation of the " Alexandrine " verse the great twelve- syllabled rhyming couplet - to ...
... artistic finish , was really adequate to fulfil the highest demands of genius . In this direction their most important single achievement was their elevation of the " Alexandrine " verse the great twelve- syllabled rhyming couplet - to ...
Page 33
... artistic ; it was Rabelais who showed that it possessed another quality —that it was a mighty instrument of thought . The intellectual effort of the Middle Ages had very rarely clothed itself in an artistic literary form . Men laughed ...
... artistic ; it was Rabelais who showed that it possessed another quality —that it was a mighty instrument of thought . The intellectual effort of the Middle Ages had very rarely clothed itself in an artistic literary form . Men laughed ...
Page 49
... represen- tative is the Cléopâtre of Jodelle . Corneille's achievement was based upon a combination of what was best in these two movements . The work of Jodelle , written with a genuinely artistic THE AGE OF TRANSITION 49.
... represen- tative is the Cléopâtre of Jodelle . Corneille's achievement was based upon a combination of what was best in these two movements . The work of Jodelle , written with a genuinely artistic THE AGE OF TRANSITION 49.
Page 50
Lytton Strachey. The work of Jodelle , written with a genuinely artistic intention , was nevertheless a dead thing on the stage ; while Hardy's melo- dramas , bursting as they were with vitality , were too barbaric to rank as serious ...
Lytton Strachey. The work of Jodelle , written with a genuinely artistic intention , was nevertheless a dead thing on the stage ; while Hardy's melo- dramas , bursting as they were with vitality , were too barbaric to rank as serious ...
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Common terms and phrases
age of Louis artistic Balzac beauty Bossuet brilliant Bruyère Chansons Chansons de Geste character characteristic charm CHRÉTIEN DE TROYES civilisation classical complete Corneille critical detail Diderot doctrine dominating doubt drama eighteenth century elaborate English exquisite extraordinary fact feeling Flaubert Fontaine French literature genius human ideals imagination immense important infinitely influence intensity Jean de Meung language Les Misérables less letters Lettres Provinciales literary literature of France Louis XIV master melancholy ment Middle Ages mind modern Molière Molière's Montaigne Montesquieu movement nature ness never noble novels Paris Parnassiens Pascal passion perfect Philosophes play poems poet poetical poetry precisely produced profound prose qualities Rabelais Racine Racine's reader realise Renaissance rhetoric Romantic Rousseau Saint-Simon seems sense sentences Shakespeare soul spirit splendid splendour strange style subtle supreme things thought tion tradition tragedy triumph true truth vast verse Victor Hugo vision Voltaire Voltaire's whole words writers
Popular passages
Page 71 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Page 60 - Quelle chimère est-ce donc que l'homme ? Quelle nouveauté, quel monstre, quel chaos, quel sujet de contradiction, quel prodige ! Juge de toutes choses, imbécile ver de terre; dépositaire du vrai, cloaque d'incertitude et d'erreur ; gloire et rebut de l'univers.
Page 129 - Les choses les plus souhaitées n'arrivent point ; ou , si elles arrivent, ce n'est ni dans le temps ni dans les circonstances où elles auraient fait un extrême plaisir.
Page 128 - L'on voit * certains animaux farouches , des mâles et des femelles, répandus par la campagne, noirs , livides, et tout brûlés du soleil, attachés à la terre qu'ils fouillent et qu'ils remuent avec une opiniâtreté invincible : ils ont comme une voix articulée ; et quand ils se lèvent sur leurs pieds , ils montrent une face humaine , et en effet ils sont des hommes.
Page 126 - ... a pris racine au milieu de ses tulipes et devant la Solitaire; il ouvre de grands yeux, il frotte ses mains, il se baisse, il la voit de plus près, il ne l'a jamais vue si belle, il a le cœur épanoui de joie; il la...
Page 60 - Nous sommes plaisants de nous reposer dans la société de nos semblables : misérables comme nous, impuissants comme nous, ils ne nous aideront pas; on mourra seul.
Page 118 - Jupin pour chaque état mit deux tables au monde : L'adroit, le vigilant, et le fort, sont assis A la première ; et les petits Mangent leur reste à la seconde.
Page 123 - Nous pardonnons souvent à ceux qui nous ennuient, mais nous ne pouvons pardonner à ceux que nous ennuyons.
Page 14 - ... n'ai jou que faire. Mais en infer voil jou aler, car en infer vont li bel clerc, et li bel cevalier qui sont mort as tornois et as rices gueres, et li...
Page 240 - Oui l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail!