Landmarks in French Literature |
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Page 49
... CORNEILLE . With the production , in 1636 , of Corneille's tragedy , Le Cid , modern French drama came into existence . Previous to that date , two main movements are discernible in French dramatic art - one carrying on the medieval ...
... CORNEILLE . With the production , in 1636 , of Corneille's tragedy , Le Cid , modern French drama came into existence . Previous to that date , two main movements are discernible in French dramatic art - one carrying on the medieval ...
Page 50
... Corneille . By nature , there can be little doubt that Corneille was a romantic . fiery energy , his swelling rhetoric , his love of the extraordinary and the sublime , bring him into closer kinship with Marlowe than with any other ...
... Corneille . By nature , there can be little doubt that Corneille was a romantic . fiery energy , his swelling rhetoric , his love of the extraordinary and the sublime , bring him into closer kinship with Marlowe than with any other ...
Page 51
... Corneille , found its perfect exponent ; and it will be well there- fore to postpone a more detailed examination of the nature of that type until we come to consider Racine himself , the value of whose work is inextricably interwoven ...
... Corneille , found its perfect exponent ; and it will be well there- fore to postpone a more detailed examination of the nature of that type until we come to consider Racine himself , the value of whose work is inextricably interwoven ...
Page 52
... Corneille loses half its value when it is unheard ) , on a full - flowing tide of lan- guage , where the waves of the verse , follow- ing one another in a swift succession of ever- rising power , crash down at last with a roar . It is a ...
... Corneille loses half its value when it is unheard ) , on a full - flowing tide of lan- guage , where the waves of the verse , follow- ing one another in a swift succession of ever- rising power , crash down at last with a roar . It is a ...
Page 53
... Corneille's master- pieces are concerned with the same subject- the combat between indomitable egoism and the forces of Fate . It is in the meeting of these " fell incensed opposites " that the tragedy consists . In Le Cid Chimène's pas ...
... Corneille's master- pieces are concerned with the same subject- the combat between indomitable egoism and the forces of Fate . It is in the meeting of these " fell incensed opposites " that the tragedy consists . In Le Cid Chimène's pas ...
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Common terms and phrases
age of Louis artistic Balzac beauty Bossuet brilliant Bruyère Chansons Chansons de Geste character characteristic charm CHRÉTIEN DE TROYES civilisation classical complete Corneille critical detail Diderot doctrine dominating doubt drama eighteenth century elaborate English exquisite extraordinary fact feeling Flaubert Fontaine French literature genius human ideals imagination immense important infinitely influence intensity Jean de Meung language Les Misérables less letters Lettres Provinciales literary literature of France Louis XIV master melancholy ment Middle Ages mind modern Molière Molière's Montaigne Montesquieu movement nature ness never noble novels Paris Parnassiens Pascal passion perfect Philosophes play poems poet poetical poetry precisely produced profound prose qualities Rabelais Racine Racine's reader realise Renaissance rhetoric Romantic Rousseau Saint-Simon seems sense sentences Shakespeare soul spirit splendid splendour strange style subtle supreme things thought tion tradition tragedy triumph true truth vast verse Victor Hugo vision Voltaire Voltaire's whole words writers
Popular passages
Page 71 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Page 60 - Quelle chimère est-ce donc que l'homme ? Quelle nouveauté, quel monstre, quel chaos, quel sujet de contradiction, quel prodige ! Juge de toutes choses, imbécile ver de terre; dépositaire du vrai, cloaque d'incertitude et d'erreur ; gloire et rebut de l'univers.
Page 129 - Les choses les plus souhaitées n'arrivent point ; ou , si elles arrivent, ce n'est ni dans le temps ni dans les circonstances où elles auraient fait un extrême plaisir.
Page 128 - L'on voit * certains animaux farouches , des mâles et des femelles, répandus par la campagne, noirs , livides, et tout brûlés du soleil, attachés à la terre qu'ils fouillent et qu'ils remuent avec une opiniâtreté invincible : ils ont comme une voix articulée ; et quand ils se lèvent sur leurs pieds , ils montrent une face humaine , et en effet ils sont des hommes.
Page 126 - ... a pris racine au milieu de ses tulipes et devant la Solitaire; il ouvre de grands yeux, il frotte ses mains, il se baisse, il la voit de plus près, il ne l'a jamais vue si belle, il a le cœur épanoui de joie; il la...
Page 60 - Nous sommes plaisants de nous reposer dans la société de nos semblables : misérables comme nous, impuissants comme nous, ils ne nous aideront pas; on mourra seul.
Page 118 - Jupin pour chaque état mit deux tables au monde : L'adroit, le vigilant, et le fort, sont assis A la première ; et les petits Mangent leur reste à la seconde.
Page 123 - Nous pardonnons souvent à ceux qui nous ennuient, mais nous ne pouvons pardonner à ceux que nous ennuyons.
Page 14 - ... n'ai jou que faire. Mais en infer voil jou aler, car en infer vont li bel clerc, et li bel cevalier qui sont mort as tornois et as rices gueres, et li...
Page 240 - Oui l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail!