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Page 57
... voice . When Maeterlinck proposed to stretch a gauze- veil between the stage and audience , and spoke of his ... voices than characters . We need to hear them more than to see them clearly . The impressions of sight are too ...
... voice . When Maeterlinck proposed to stretch a gauze- veil between the stage and audience , and spoke of his ... voices than characters . We need to hear them more than to see them clearly . The impressions of sight are too ...
Page 61
... Voice : " What did you think of it ? ” D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice : " What ! Splendid ? ... Pastor Manders ? ... The whole thing ...
... Voice : " What did you think of it ? ” D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice : " What ! Splendid ? ... Pastor Manders ? ... The whole thing ...
Page 116
... voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the dark . The wood is full of voices : " I am wounded " - " Water " - " Aha ! Got ' em . " ( That must be the voice of the Ichneumon ...
... voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the dark . The wood is full of voices : " I am wounded " - " Water " - " Aha ! Got ' em . " ( That must be the voice of the Ichneumon ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth