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Page 33
... turn and turn again " , Joan of Arc exclaims in an aside , which expresses an English rather than a French view of the French character . " Acting out of character was perfectly familiar to the dramatic art of the time . ” There is no ...
... turn and turn again " , Joan of Arc exclaims in an aside , which expresses an English rather than a French view of the French character . " Acting out of character was perfectly familiar to the dramatic art of the time . ” There is no ...
Page 116
... turn , kneels to the most righteous God of Ants- " Thou knowest that we fight only for justice , our victory , our honour , our commercial interests " . But this is more than the Tramp can stand . " Bah ! Yer insec ' , yer insec ...
... turn , kneels to the most righteous God of Ants- " Thou knowest that we fight only for justice , our victory , our honour , our commercial interests " . But this is more than the Tramp can stand . " Bah ! Yer insec ' , yer insec ...
Page 307
... turns out to be the man who is most actively engaged in catching the criminal . Thus , at the present stage of development of ... turn out to be an old conchologist of European reputation ; for a passion for shells , I 307 THE RINGER.
... turns out to be the man who is most actively engaged in catching the criminal . Thus , at the present stage of development of ... turn out to be an old conchologist of European reputation ; for a passion for shells , I 307 THE RINGER.
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth