Drama |
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Page 98
... true minds . We have heard her confess to him , in the presence of her bitter enemy , his brother - in - law ; a confes- sion which leaves not a rag to cover her hideousness in her lover's eyes , in which she takes on herself the whole ...
... true minds . We have heard her confess to him , in the presence of her bitter enemy , his brother - in - law ; a confes- sion which leaves not a rag to cover her hideousness in her lover's eyes , in which she takes on herself the whole ...
Page 167
... true . But a skilful producer can insist on their being so suggested that , at least , the intelligence grasps their contribution to the drama as a whole , even though , emotionally considered , they are themselves non - conductors ...
... true . But a skilful producer can insist on their being so suggested that , at least , the intelligence grasps their contribution to the drama as a whole , even though , emotionally considered , they are themselves non - conductors ...
Page 350
... True , inter- mittent wafts of poetry had reached me during the play , and phrases moulded out of common speech into fine literature , and words , too , of pungent and necessary brutality . But all was drowned in what appeared a ...
... True , inter- mittent wafts of poetry had reached me during the play , and phrases moulded out of common speech into fine literature , and words , too , of pungent and necessary brutality . But all was drowned in what appeared a ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth