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Page 63
... theme ; Oswald , they think , is the central figure . They are wrong . Ibsen was a pro- found and meditative mind . Whatever his story , his theme is always of lasting interest ; it is , indeed , the supreme interest and attraction of ...
... theme ; Oswald , they think , is the central figure . They are wrong . Ibsen was a pro- found and meditative mind . Whatever his story , his theme is always of lasting interest ; it is , indeed , the supreme interest and attraction of ...
Page 194
... theme than this . Alas ! he did not . He nearly always develops his situations well , and this play is no exception . To the end of Act III , when Clare Dedmond discovers that she is ruining her lover by continuing to live with him ...
... theme than this . Alas ! he did not . He nearly always develops his situations well , and this play is no exception . To the end of Act III , when Clare Dedmond discovers that she is ruining her lover by continuing to live with him ...
Page 200
... theme was a burning one when the Boer War was on . I like to think of him as a young man sitting down to write this ... theme which has permanent significance . It is the conflict between two kinds of patriotism , or more generally ...
... theme was a burning one when the Boer War was on . I like to think of him as a young man sitting down to write this ... theme which has permanent significance . It is the conflict between two kinds of patriotism , or more generally ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth