Drama |
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Page 55
... tell us , that we may be more interested in them , and measure their weight in momentum , as much about them as he quickly can . He aims at telling us as definitely as possible their characters and circumstances . But Maeterlinck's ...
... tell us , that we may be more interested in them , and measure their weight in momentum , as much about them as he quickly can . He aims at telling us as definitely as possible their characters and circumstances . But Maeterlinck's ...
Page 155
Desmond MacCarthy. readers could tell , truthfully , that the play was not only of the highest dramatic power but ... telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
Desmond MacCarthy. readers could tell , truthfully , that the play was not only of the highest dramatic power but ... telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
Page 303
... tell the story would spoil your pleasure , but to hint how cunningly the dramatist contrives his thrills will whet your appetite . In the theatre I felt again at moments that impulse to clutch a friendly hand which used to seize me so ...
... tell the story would spoil your pleasure , but to hint how cunningly the dramatist contrives his thrills will whet your appetite . In the theatre I felt again at moments that impulse to clutch a friendly hand which used to seize me so ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth