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Page 91
... speaking out of themselves are just those which are apt to appear on our stage parti- cularly unnatural . Mr. Michael Hogan , who ... speak in character , but we get to know them so well largely through seeing them act and move before us ...
... speaking out of themselves are just those which are apt to appear on our stage parti- cularly unnatural . Mr. Michael Hogan , who ... speak in character , but we get to know them so well largely through seeing them act and move before us ...
Page 119
... speak , centrifugal instead of self - centred . They seek , not so much to draw our minds in- wards to the consideration of the events they repre- sent , as to cast them outwards to the larger process of the world which those events ...
... speak , centrifugal instead of self - centred . They seek , not so much to draw our minds in- wards to the consideration of the events they repre- sent , as to cast them outwards to the larger process of the world which those events ...
Page 157
... speak of herself thus : Once I was lovely ; not a blowing rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of far finer poetry , in her repentance ...
... speak of herself thus : Once I was lovely ; not a blowing rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of far finer poetry , in her repentance ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth