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Page 8
... seem the right inspiration for the consonant setting of some of the plays , but not , I think , of all . Parts of Mr ... seems to me , the principle of con- sonance and subordination as flimsy and unimpor- tant compared with producing a ...
... seem the right inspiration for the consonant setting of some of the plays , but not , I think , of all . Parts of Mr ... seems to me , the principle of con- sonance and subordination as flimsy and unimpor- tant compared with producing a ...
Page 272
... seems to me ridiculous ; but in a " Chronicle Play " to put in Cæsar's mouth those parting words " Ah ! I knew there was something . How could you let me forget her , Rufio ? " seems as wrong in the opposite direction . But , says Mr ...
... seems to me ridiculous ; but in a " Chronicle Play " to put in Cæsar's mouth those parting words " Ah ! I knew there was something . How could you let me forget her , Rufio ? " seems as wrong in the opposite direction . But , says Mr ...
Page 369
... seems to glide softly at its own sweet will , yet turns the touching awkwardness of natural caresses and distracted distress into gestures that an artist must long to perpetuate . It seems so little like acting that compared with it the ...
... seems to glide softly at its own sweet will , yet turns the touching awkwardness of natural caresses and distracted distress into gestures that an artist must long to perpetuate . It seems so little like acting that compared with it the ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth