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Page 58
... reason why we could not feel to the full the emotions which the play is capable of conveying . To trace what I think was the second reason why the performance did not rise much above mediocrity I must fetch a second , though a smaller ...
... reason why we could not feel to the full the emotions which the play is capable of conveying . To trace what I think was the second reason why the performance did not rise much above mediocrity I must fetch a second , though a smaller ...
Page 226
... reason : with the exception of the interlude , the talk centres round a situation in which one man is pitted against many , and this is a " sympathetic ” situation . How is King Magnus going to escape signing the ultimatum by which his ...
... reason : with the exception of the interlude , the talk centres round a situation in which one man is pitted against many , and this is a " sympathetic ” situation . How is King Magnus going to escape signing the ultimatum by which his ...
Page 274
... reason . And that is the passion which I read in Cæsar's career . His ambition coincided to a large extent with the necessities of the world ; but the driving force in him was not so much a love of reason and order as the desire of the ...
... reason . And that is the passion which I read in Cæsar's career . His ambition coincided to a large extent with the necessities of the world ; but the driving force in him was not so much a love of reason and order as the desire of the ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth