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Page 14
... passages his elocu- tion was excellent , but his voice - a fine one in timbre - is not yet completely under his control . He fails when the passage demands rapidity of utterance ( just , by the by , where Miss McCarthy as a speaker ...
... passages his elocu- tion was excellent , but his voice - a fine one in timbre - is not yet completely under his control . He fails when the passage demands rapidity of utterance ( just , by the by , where Miss McCarthy as a speaker ...
Page 40
... passage , only failing to render as perfectly the flight of bitter philosophic fantasy which breaks it off . Imperious ... passages ( cut in this perform- ance ) in which Hamlet jests about the body of Polonius . To turn , therefore , in ...
... passage , only failing to render as perfectly the flight of bitter philosophic fantasy which breaks it off . Imperious ... passages ( cut in this perform- ance ) in which Hamlet jests about the body of Polonius . To turn , therefore , in ...
Page 155
... passages , care- fully omitting the fustian which lets the listener down the next minute , and by selecting a telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
... passages , care- fully omitting the fustian which lets the listener down the next minute , and by selecting a telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth