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Page 54
... moving and mysterious , but in degrees which tantalized , suggesting only how much more beauti- ful and terrible the play might have been made . To explain where , I think , the fault lay I must fetch a rather wide circle . The subject ...
... moving and mysterious , but in degrees which tantalized , suggesting only how much more beauti- ful and terrible the play might have been made . To explain where , I think , the fault lay I must fetch a rather wide circle . The subject ...
Page 90
... moving reality of their sufferings . And we must not forget Tchehov's laughter . The Cherry Orchard is in part a comedy , and a comedy which verges , as Tchehov said himself , on farce . My general criticism of the Lyric perform- ance ...
... moving reality of their sufferings . And we must not forget Tchehov's laughter . The Cherry Orchard is in part a comedy , and a comedy which verges , as Tchehov said himself , on farce . My general criticism of the Lyric perform- ance ...
Page 283
... moving , but when her sentence is changed to imprisonment for life she bursts out into a speech about nature and freedom , the hills and the sky . This speech is a false note ; to Joan the Mass and the Church were infinitely more im ...
... moving , but when her sentence is changed to imprisonment for life she bursts out into a speech about nature and freedom , the hills and the sky . This speech is a false note ; to Joan the Mass and the Church were infinitely more im ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth