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Page 95
... moral interest . Ibsen's genius is inseparable from his conscience . He is , indeed , the dramatist of the Protestant Conscience ( " Save his own soul he hath no star " ) at its highest pitch of searching in- tensity . For this reason ...
... moral interest . Ibsen's genius is inseparable from his conscience . He is , indeed , the dramatist of the Protestant Conscience ( " Save his own soul he hath no star " ) at its highest pitch of searching in- tensity . For this reason ...
Page 96
... moral values where would those artists be ? True , it is possible , especially in the case of Tolstoy , to point to the interruptions of the moral theorizer as blemishes in his work . They often are . But that does not get us over the ...
... moral values where would those artists be ? True , it is possible , especially in the case of Tolstoy , to point to the interruptions of the moral theorizer as blemishes in his work . They often are . But that does not get us over the ...
Page 191
... moral imagina- tion , it is because morality is not with him a separate thing , with boundaries at which imag- ination can stop . Morals and religion are to him neither the foundations nor the superstruc- ture ; they are elements or ...
... moral imagina- tion , it is because morality is not with him a separate thing , with boundaries at which imag- ination can stop . Morals and religion are to him neither the foundations nor the superstruc- ture ; they are elements or ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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