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Page 99
... moment's marriage between them , is intended to be , not merely a Liebestod , an exalted crisis of erotomania , but ... moments in his drama when the characters , whose motives and dispositions have been revealed with psychological ...
... moment's marriage between them , is intended to be , not merely a Liebestod , an exalted crisis of erotomania , but ... moments in his drama when the characters , whose motives and dispositions have been revealed with psychological ...
Page 100
... moment is the suicide of the two main figures in Rosmersholm . There is another moment , just before it in the play , in which a minor figure— Brandel , a sort of little Peer Gynt ( exceedingly well played by Mr Farquharson ) should ...
... moment is the suicide of the two main figures in Rosmersholm . There is another moment , just before it in the play , in which a minor figure— Brandel , a sort of little Peer Gynt ( exceedingly well played by Mr Farquharson ) should ...
Page 143
... moment . In the first act Mr. Farquharson was admir- able . He has an imaginative technique for tor- tured or ... moments of acutest torture and self - disgust . The suggestion of the play is that this unclean pas- sion is a spiritual ...
... moment . In the first act Mr. Farquharson was admir- able . He has an imaginative technique for tor- tured or ... moments of acutest torture and self - disgust . The suggestion of the play is that this unclean pas- sion is a spiritual ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth