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Page 116
... lies down and dies . The Tramp , too , feels death at his throat ; but he cannot resign himself ; he gurgles , struggles and fights . At last he too lies quiet , when two slow , lisping snails crawl one each side of him out of the wood ...
... lies down and dies . The Tramp , too , feels death at his throat ; but he cannot resign himself ; he gurgles , struggles and fights . At last he too lies quiet , when two slow , lisping snails crawl one each side of him out of the wood ...
Page 267
... lies between the Sphinx's paws , answering him . The rhythm of Cæsar's speech is not magical , but how much imagination there is in it , with its fine close : " I am he of whose genius you are the symbol : part brute , part woman , and ...
... lies between the Sphinx's paws , answering him . The rhythm of Cæsar's speech is not magical , but how much imagination there is in it , with its fine close : " I am he of whose genius you are the symbol : part brute , part woman , and ...
Page 343
... lies in contrast between the spirit of Christian charity and what passes for the Christian religion in the world . Some of the humour is grim . You could not have a much bitterer joke than a young daughter clasping her pretty little ...
... lies in contrast between the spirit of Christian charity and what passes for the Christian religion in the world . Some of the humour is grim . You could not have a much bitterer joke than a young daughter clasping her pretty little ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth